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diff --git a/...yll/Cache/Jekyll--Cache/b7/9606fb3afea5bd1609ed40b622142f1c98125abcfe89a76a661b0e8e343910 b/...yll/Cache/Jekyll--Cache/b7/9606fb3afea5bd1609ed40b622142f1c98125abcfe89a76a661b0e8e343910
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+I"{"source"=>"/Users/karendesmond/Documents/GitHub/arsmusicae", "destination"=>"/Users/karendesmond/Documents/GitHub/arsmusicae/_site", "collections_dir"=>"", "cache_dir"=>".jekyll-cache", "plugins_dir"=>"_plugins", "layouts_dir"=>"_layouts", "data_dir"=>"_data", "includes_dir"=>"_includes", "collections"=>{"posts"=>{"output"=>true, "permalink"=>"/:categories/:year/:month/:day/:title:output_ext"}}, "safe"=>false, "include"=>[".htaccess"], "exclude"=>[".sass-cache", ".jekyll-cache", "gemfiles", "Gemfile", "Gemfile.lock", "node_modules", "vendor/bundle/", "vendor/cache/", "vendor/gems/", "vendor/ruby/"], "keep_files"=>[".git", ".svn"], "encoding"=>"utf-8", "markdown_ext"=>"markdown,mkdown,mkdn,mkd,md", "strict_front_matter"=>false, "show_drafts"=>nil, "limit_posts"=>0, "future"=>false, "unpublished"=>false, "whitelist"=>[], "plugins"=>[], "markdown"=>"kramdown", "highlighter"=>"rouge", "lsi"=>false, "excerpt_separator"=>"\n\n", "incremental"=>false, "detach"=>false, "port"=>"4000", "host"=>"127.0.0.1", "baseurl"=>nil, "show_dir_listing"=>false, "permalink"=>"date", "paginate_path"=>"/page:num", "timezone"=>nil, "quiet"=>false, "verbose"=>false, "defaults"=>[], "liquid"=>{"error_mode"=>"warn", "strict_filters"=>false, "strict_variables"=>false}, "kramdown"=>{"auto_ids"=>true, "toc_levels"=>[1, 2, 3, 4, 5, 6], "entity_output"=>"as_char", "smart_quotes"=>"lsquo,rsquo,ldquo,rdquo", "input"=>"GFM", "hard_wrap"=>false, "guess_lang"=>true, "footnote_nr"=>1, "show_warnings"=>false}, "livereload_port"=>35729, "serving"=>true, "watch"=>true, "url"=>nil}:ET
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+# frozen_string_literal: true
+
+source "https://rubygems.org"
+
+git_source(:github) {|repo_name| "https://github.com/#{repo_name}" }
+
+# gem "rails"
+
+gem "jekyll", "~> 4.2"
+
+gem "webrick", "~> 1.7"
diff --git a/Gemfile.lock b/Gemfile.lock
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+GEM
+  remote: https://rubygems.org/
+  specs:
+    addressable (2.7.0)
+      public_suffix (>= 2.0.2, < 5.0)
+    colorator (1.1.0)
+    concurrent-ruby (1.1.8)
+    em-websocket (0.5.2)
+      eventmachine (>= 0.12.9)
+      http_parser.rb (~> 0.6.0)
+    eventmachine (1.2.7)
+    ffi (1.15.0)
+    forwardable-extended (2.6.0)
+    http_parser.rb (0.6.0)
+    i18n (1.8.10)
+      concurrent-ruby (~> 1.0)
+    jekyll (4.2.0)
+      addressable (~> 2.4)
+      colorator (~> 1.0)
+      em-websocket (~> 0.5)
+      i18n (~> 1.0)
+      jekyll-sass-converter (~> 2.0)
+      jekyll-watch (~> 2.0)
+      kramdown (~> 2.3)
+      kramdown-parser-gfm (~> 1.0)
+      liquid (~> 4.0)
+      mercenary (~> 0.4.0)
+      pathutil (~> 0.9)
+      rouge (~> 3.0)
+      safe_yaml (~> 1.0)
+      terminal-table (~> 2.0)
+    jekyll-sass-converter (2.1.0)
+      sassc (> 2.0.1, < 3.0)
+    jekyll-watch (2.2.1)
+      listen (~> 3.0)
+    kramdown (2.3.1)
+      rexml
+    kramdown-parser-gfm (1.1.0)
+      kramdown (~> 2.0)
+    liquid (4.0.3)
+    listen (3.5.1)
+      rb-fsevent (~> 0.10, >= 0.10.3)
+      rb-inotify (~> 0.9, >= 0.9.10)
+    mercenary (0.4.0)
+    pathutil (0.16.2)
+      forwardable-extended (~> 2.6)
+    public_suffix (4.0.6)
+    rb-fsevent (0.10.4)
+    rb-inotify (0.10.1)
+      ffi (~> 1.0)
+    rexml (3.2.5)
+    rouge (3.26.0)
+    safe_yaml (1.0.5)
+    sassc (2.4.0)
+      ffi (~> 1.9)
+    terminal-table (2.0.0)
+      unicode-display_width (~> 1.1, >= 1.1.1)
+    unicode-display_width (1.7.0)
+    webrick (1.7.0)
+
+PLATFORMS
+  x86_64-darwin-18
+
+DEPENDENCIES
+  jekyll (~> 4.2)
+  webrick (~> 1.7)
+
+BUNDLED WITH
+   2.2.16
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+# arsmusicae
+
diff --git a/_site/Sc63r.jpg b/_site/Sc63r.jpg
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+<!DOCTYPE html SYSTEM "http://www.w3.org/TR/xhtml1/DTD/xhtml1-transitional.dtd">
+<html xmlns="http://www.w3.org/1999/xhtml">
+    <head><title></title><link href="default.css" type="text/css" rel="stylesheet"/></head>
+    <body>
+        <div id="header">
+            <h1>Omni desideranti notitiam</h1><br/>
+            <h2>A Music Theory Text from the Fourteenth Century</h2>
+        </div>
+
+        <div id="menu">
+            <ul>
+                <li><a href="home.xml">Home</a> </li>
+                <li><a href="transcriptions.html">Transcriptions</a></li>
+                <li><a
+                    href="translation.xml">Translation</a></li>
+                <li><a href="files.html">Files</a></li>
+                <li><a href="about.html">About</a> </li>
+            </ul>
+        </div>
+        <div id="content">
+
+            <div id="translation">
+                <p><h2>PLEASE NOTE</h2>
+                This online edition is a work-in-progress. Current issues include:
+                    <ul>
+                        <li>Adding a search function (although there is a 'search' function on the textual witnesses available with the Juxta tools, see this <a href="http://juxtacommons.org/shares/eZru6Z">link</a> (search box at bottom of page)</li>
+
+                        <li>Adding a page that will allow the user to click on a paragraph and display its translation side-by-side</li>
+                    </ul></p>
+                <p><h2>About this edition</h2><p>
+                <p>A key music theory text within the fourteenth-century <i>Ars nova</i> tradition that has
+                    received little attention is the so-called <i>Omni desideranti</i> treatise. The
+                    treatise is found in three
+                manuscript sources of Italian provenance dating from the fourteenth and
+                fifteenth-centuries: in a manuscript copied by G. Frater de Anglia in Pavia in 1391, and now preserved in the 
+                Newberry Library in Chicago (Ms. 54.1, ff. 52v-56v, hereafter <i>Cn</i>); in a manuscript of Italian and Catalan origin 
+                dating from the early fifteenth century, Seville, Biblioteca Capitular y
+                Colombina, Ms. 5-2-25, ff. 63r-64v (hereafter <i>Sc</i>); 
+                and a late fifteenth-century paper manuscript of Italian origin, Siena, Biblioteca
+                comunale, Ms. L.V.30, ff. 129r-129v (hereafter <i>Su</i>).</p> 
+
+                <p>The text as preserved in <i>Cn</i> has no modern edition: it was edited in the nineteenth century by Coussemaker, apparently from a copy of this 
+                    manuscript transcribed by Coussemaker's friend Ferdinandus Wolf.  The text from <i>Sc</i>
+                    was transcribed by Higini Angl&#232;s in an article from 1929 
+                (other than his expansion of scribal abbreviations, there are no editorial interventions in this transcription, with the exception of a few exclamation marks).  
+                    <i>Su</i> was edited by Gilbert Reaney and included as one representative of the Vitrian
+                    tradition presented in volume 8 of <i>Corpus scriptorum musicae</i> (1964; there was no mention by Reaney in 
+                the introduction to the text of the parallel versions found in <i>Cn</i> and <i>Sc</i>).</p>
+
+                <p>This online edition of the <i>Omni desideranti</i> treatise is intended as a
+                proof-of-concept model for a digital editing approach to medieval music theory. It
+                follows TEI encoding standards (the most up-to-date guidelines may be found at
+                    <a
+                        href="http://www.tei-c.org/Guidelines/P5/">http://www.tei-c.org/Guidelines/P5/</a>).
+                    Using the XML files based on the TEI schema, a traditional critical edition is
+                    offered, where variant readings are 
+                    displayed in the footnotes. Diplomatic transcriptions of the text as found
+                    in the three different sources are presented in
+                parallel with high-quality images of the manuscript sources. The free software tool
+                Zoomify<sup>TM</sup> allows the user to zoom in on these images, 
+                while also protecting the image files from illegal downloads. Using the same data files, PDF and ePub versions of the texts can be generated: 
+                these are provided as downloads on the website. An English translation is provided,
+                and a collation of the the three witnesses generated by the Juxta<sup>TM</sup> web service. The advantages of this edition include the higher level of 
+                transparency into any editorial interventions as the evidence of the transcriptions and the original source documents are displayed side-by-side. 
+                In addition, it allows for a greater degree of interactivity on the part of the user as one can examine paragraphs or sections of text more closely.
+                This edition
+                is intended to spark comment and debate about the future and potential of these
+                types of approaches for musicology, and for any feedback to assist other individuals
+                and institutions working on larger, more robust and scalable applications.</p>
+
+                <p> I presented a paper on this edition at the annual meeting of the American Musicological
+                Society in New Orleans (Oct 31-Nov 4, 2012) and the online edition and web-based
+                approach is the subject of my forthcoming article:              
+                <p>Karen Desmond, 'Texts in Play: The <i>Ars nova</i> and its Hypertexts', <i>Musica disciplina</i>
+                (2012, forthcoming).</p>
+
+
+
+                    <p>If you have any comments or feeback on the edition, please contact me
+                        directly at <a href="mailto:[email protected]">[email protected]</a></p>
+                    <p>Karen Desmond<br />
+                        Lecturer in Musicology<br />
+                        University College Cork <br />
+                        Ireland<br /></p>
+                    <p>     <b>Find me on:</b><br/>
+                      My research blog: <a href="http://www.arsmusicae.org/wordpress/">http://www.arsmusicae.org/wordpress/</a><br/>
+                        academia.edu: 
+                        <a
+                            href="http://ucc-ie.academia.edu/KarenDesmond">http://ucc-ie.academia.edu/KarenDesmond</a><br />
+                            UCC website<a
+                                href="http://publish.ucc.ie/researchprofiles/A021/kdesmond">http://publish.ucc.ie/researchprofiles/A021/kdesmond</a><p>
+
+
+                    <p><b>Bibliography</b></p>
+
+                                    <p>Angl&#232;s, Higini. "Dos tractats medievals de m&#250;sica figurada." In <i>Musikwissenschaftliche Beitr&#228;ge: Festschrift f&#252;r Johannes Wolf zu seinem sechzigsten Geburtstag</i>, edited by H. Osthoff W. Lott, and W. Wolffheim, 6-10. Berlin: Breslauer, 1929.
+                </p>
+                    <p>Coussemaker, Edmond de. <i>Scriptorum de musica medii aevi. Novam seriem a Gerbertina alteram collegit nuncque primum edidit E. de Coussemaker</i>. 4 vols. 1876, facsimile edition; G. Olms: Hildesheim, 1963.</p>
+                                    <p><i>Philippi de Vitriaco Ars nova</i>. Edited by Gilbert Reaney, Andr&#233; Gilles and Jean Maillard. Vol. 8, Corpus scriptorum de musica. [Rome]: American Institute of Musicology, 1964.</p>
+
+
+            </div>
+            <div id="right">
+
+            </div>
+        </div>
+        <div id="footer">
+            <p> Copyright @Creative Commons 2011. Designed by <a href="http://www.freecsstemplates.org" class="link1">Free CSS Templates</a></p>
+        </div>
+    </body>
+</html>
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