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judaicadhpenn committed Jan 3, 2025
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6 changes: 4 additions & 2 deletions src/content.config.ts
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import { defineCollection } from 'astro:content';
import { defineCollection, z } from 'astro:content';
import { docsLoader } from '@astrojs/starlight/loaders';
import { docsSchema } from '@astrojs/starlight/schema';

export const collections = {
docs: defineCollection({ loader: docsLoader(), schema: docsSchema() }),
docs: defineCollection({
loader: docsLoader(),
schema: docsSchema() }),
};
38 changes: 19 additions & 19 deletions src/content/docs/index.mdx

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10 changes: 8 additions & 2 deletions src/content/docs/reference/13th-century-entanglements.md
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Expand Up @@ -3,7 +3,7 @@ title: "13th Century Entanglements: Judaism, Christianity & Islam"
description: "This exhibition reexamines the formative period in Islamic history between the 7th and the 11th century."
date: "2012-2013"
hero:
title: "13th Century Entanglements: Judaism, Christianity & Islam ('12-'13)"
title: "13th Century Entanglements: Judaism, Christianity & Islam"
tagline: "An Online Exhibition from the Herbert D. Katz Center for Advanced
Judaic Studies 2012-2013 Fellows at the University of Pennsylvania"
slug: "13th-century-entanglements"
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template: doc
---


## Introduction

## Exhibit

## Selected Bibliography

## Contributors
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6 changes: 6 additions & 0 deletions src/content/docs/reference/challenging-boundaries.md
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## Introduction

## Exhibit

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## Introduction

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8 changes: 7 additions & 1 deletion src/content/docs/reference/jews-beyond-reason.md
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## Introduction

## Exhibit

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## Contributors
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## Introduction

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6 changes: 6 additions & 0 deletions src/content/docs/reference/jews-in-modern-islamic-contexts.md
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## Introduction

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## Contributors

7 changes: 6 additions & 1 deletion src/content/docs/reference/jews-journeys.md
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## Introduction


## Exhibit

## Selected Bibliography

## Contributors
43 changes: 42 additions & 1 deletion src/content/docs/reference/modern-jewish-literatures.md
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## Introduction


The topics explored in this year’s seminar reflect the enormous diversity of Jewish literature in the modern age. On the one hand, there are literatures in Jewish languages, principally Hebrew, Yiddish and Ladino. On the other, there are Jewish literatures in Russian, German, French, Arabic, English and many other vernacular languages. American Jewish literature, while belonging to the latter category, seems to delimit a sphere of its own reflecting, especially in recent decades, the “difference” of American Jewry. We examined with great interest how in each of these cases the choice of the linguistic medium determines the intended audience and in turn affects the message about Jewish identity and culture. In all instances, we saw literature as a site of intense struggle around the question of Jewishness and modernity in which all the resources of the linguistic imagination were called into play to negotiate the passage from traditional society to contemporary life. What, then, is Jewish literature? Is it one or many? Are there viable criteria for determining what lies within and without the bounds of Jewish literature? These questions, perhaps in the end unanswerable, do not cease to engage us.


Alan Mintz

## Exhibit

## Selected Bibliography

## Contributors

* Arnold J. Band - University of California, Los Angeles/CAJS 2005
* Marc Caplan - CAJS 2005
* Beatrice Lang Caplan - CAJS 2005
* Bryan Cheyette - University of Southhampton/CAJS 2005
* Amelia Glaser - Stanford University/CAJS 2005
* Nili Gold - University of Pennsylvania/CAJS 2005
* Kathryn Hellerstein - University of Pennsylvania/CAJS 2005
* Sheila Jelen - University of Maryland/CAJS 2005
* Michael P. Kramer - Bar-Ilan University/CAJS 2005
* Scott Lerner - Franklin and Marshall College/CAJS 2005
* Alan Mintz - Jewish Theological Seminary of America/CAJS 2005
* Gidon Nevo - Ben-Gurion University/CAJS 2005
* Alan Rosen - Michlala College/CAJS 2005
* Laurence Roth - Susquehanna University/CAJS 2005
* Maurice Samuels - University of Pennsylvania/CAJS 2005
* Stuart Schoffman - CAJS 2005
* Anita Shapira - Tel-Aviv University/CAJS 2005
* Deborah A. Starr - Cornell University/CAJS 2005
* Anita Norich
* Nadia Valman - University of Southhampton/CAJS 2005
* Liliane Weissberg - University of Pennsylvania/CAJS 2005
*
### Special thanks
to Etty Lassman, CAJS Administrative Assistant to the Fellows; to Leslie Vallhonrat of the Penn Library Web Unit for her collaboration in the exhibit's design and mounting; and to Arthur Kiron, Penn Library Curator of Judaica Collections for his assistance in organizing this virtual exhibit.

Credits Société des Amis de Marcel Proust et des Amis de Combray (http://perso.wanadoo.fr/marcelproust) for use of the image of Marcel Proust's autograph manuscript page from La dissertation de Gisèle, in the caption "À la recherche du juif perdu".


37 changes: 37 additions & 0 deletions src/content/docs/reference/modern-jewry-and-the-arts.md
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## Introduction
This year's exhibition on Modern Jewry and the Arts presents work in a rich diversity of cultural media and genres. Jewish artists have been respected contributors to modern music, film, theater, and visual art, and their activities encompass high art, mass media, and popular culture forms. But what is "Jewish Art?" Any art produced by Jews? Any art with Jewish content? Is there a distinctive Jewish style?



Most of these questions presume standards set by conventional cultural histories, which despite universalizing goals, define the arts in national terms. Does that mean, then, that Jewish art is exclusively made in Israel, the modern Jewish state, or does it also describe art made by Jews in the Diaspora? Clearly, the questions that emerge from this study of Jewish art and culture are bound to the most pressing concerns of modern Jewish history generally, as well as to questions concerning the production and valuation of modern art.



For a study of Jewish art and culture, diversity acquires additional significance, beyond the variety of forms and media. These works express a diverse "Jewish-ness" -- belying the homogeneity that the term "modern Jewry" implies. They testify to the diversity among Jews, the many ways of being a modern Jew, and through the arts, suggest ways of constructing a modern Jewish identity. At the same time, while often preoccupied with the concerns of Jewish community, Jewish artists in the modern period have avoided parochialism and participated in the many national cultures of which they are also a part. This participation extends to culture's institutional forms: its markets and commerce, its museums and academies, media distributions and technology-all sites where Jews have played an active and formative role.



Our exhibit offers a few examples of works that address these issues and our discussions this year. Each Fellow has selected an image from a particular branch of the arts that represents the strength and the challenge of modern Jewish culture. They demonstrate the extraordinary depth and variety of Jewish art, and suggest, we hope, new avenues of cultural research.



Carol Zemel

## Exhibit

## Selected Bibliography

## Contributors

* Anat Helman - Hebrew University/CAJS 2001
* Amy Horowitz - American University/CAJS 2001
* Marion Kant (ENTARTETE MUSIK | Joseph Lewitan) - University of Surrey/CAJS 2001
* Jonathan Karp - SUNY Binghamton/CAJS 2001
* Barbara Kirshenblatt-Gimblett - New York University/CAJS 2001
* Mark Kligman - Hebrew Union College/CAJS 2001
* Dianna Linden - University of Wisconsin/CAJS 2001
* Ezra Mendelsohn - Hebrew University/CAJS 2001
* Susan Rubin Suleiman - Harvard University/CAJS 2001
* Judith Thissen - Utrecht University/CAJS 2001
* Nina Warnke - University of Texas, Austin/CAJS 2001
* Carol Zemel - York University/CAJS 2001
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## Introduction

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## Contributors

6 changes: 6 additions & 0 deletions src/content/docs/reference/taking-turns.md
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## Introduction

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7 changes: 6 additions & 1 deletion src/content/docs/reference/the-jewish-book.md
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## Introduction


## Exhibit

## Selected Bibliography

## Contributors
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