An integrated ontology of creativity theories, using OWL2:
(a) Personal creativity: Wallace's personal creativity phases, Guilford's personal creativity traits, Smith's cognitive creativity, Moruzzi's personal creativity keys
(b) social creativity: Csikszentmihali's domain/field of creativity, Amabile's expertise/thinking/motivation, Sternberg's creative personal traits
(c) dual personal/social creativity: Gardner's multidimensional theory (personality plus context), Rhodes' 4P theory, Simonton's c/C, creativity function theory, divergence/error, Corazza's mental/social process, Jenning's computational creativity,
(d) neuro creativity: Kenett's metaanalysis of neural correlates of creativity
Some important questions need special investigation, concerning computational creativity, fruition, and opera aperta:
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AI is not a person, and how could we distinguish between personal and social for an LLM?
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Opera aperta goes beyond production vs. fruition (the patina of a monument, table, and metaphorically a book or a painting, let alone Sistine Chapel colors ...)
Specific folders (e.g., 4Pexp for Rhodes' 4P theory) will contain data and code for experiments dealing with creativity categories and correlation to personal traits.