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negative1.txt
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doesnt really add much
better suited history biography channel theres no arguing tone movie leaves bad taste mouth questions mind
entertainment love overinflated mythology no longer recognizes needs moviegoers real characters compelling plots
prolonged extrusion psychopathic pulp
borrows movies like ordinary obvious fashion
surprisingly bland despite heavy doses weird performances direction
chilly remote emotionally distant piece dull tagline should space no hear snore
characters seem onedimensional film superficial probably interest primarily target audience
sorvino makes princess seem smug cartoonish film really comes alive poor hermocrates leontine pathetically compare notes budding amours
like driveby drive right without noticing anything special save few comic turns intended otherwise
everything life aircraft carrier sentimentalized
wouldbe james bond extreme generation pic big dumb action movie stress dumb
movie has generic virtues despite lot involved talent seems done numbers
subject illusion versus reality shouldnt reality seem least passably real
terrible movie every regard utterly painful watch
rote spookiness nary original idea role edit score anything really sight whole proceedings beg question why
fan film uninitiated plays better video sound turned down
too infuriatingly quirky taken own style
theres whole heap nothing core slight comingofagecomingout tale
much laughed throughout movie cannot mount cogent defense film entertainment performance art although movie does leave marveling guys superhuman capacity withstand pain
type dumbeddown exercise stereotypes gives teen comedy genre bad name
distinctly subpar more likely drown viewer boredom send shivers down spine
plays like bad blend overripe episode tvs dawsons creek recycled dumbeddown version love story
unless film skateboard under arm youre going feel like werent invited party
casting call movie went must read seeking anyone acting ambition no sense pride shame
isnt weird ought
home alone film staged like rosemarys baby not wellconceived either those films
siegel cowriters lisa bazadona grace woodard relied too much convention creating characters surround frankie
no film possibly more contemptuous single female population
hey arnold has visual wit little imagination elsewhere
theyre going through motions zip gone
sluggish pace lack genuine narrative hem movie every bit much life hems spirits young women
lowbudget affair tadpole shot digital video images often smeary blurry point distraction again better movie might not noticed
mindless junk like makes appreciate original romantic comedies like punchdrunk love
movie like late tapping reality tv obsession tardier exploiting novelty webcast
tale too familiar anyone whos seen george roy hills film sting
gets period trappings right otherwise drowns sea visual verbal clichs
hard quibble flick boasting many genuine cackles notorious c h o still feels like promising workinprogress
anyone wants start writing screenplays follow same blueprint hundreds films sell highest bidder walk away without anyone truly knowing identity
major waste generic
problem bread sweet far too sentimental
latenight cable sexploitation romp masquerading thriller ruthless social order governs college cliques
falls short explaining music roots
never inspires more interested detachment
might emerged hilarious lunacy hands woody allen mel brooks least during s heyday comes across lame sophomoric debut indie feature
despite slick production values director roger michells ticktock pacing final effect like having guys yelling face hours
pretty much sucks has funny moment
good job painting family dynamic audience tried squeeze too many elements film
supernatural mystery doesnt know whether wants suspenseful horror movie weepy melodrama ends being neither fails both endeavors
badly interlocked stories drowned too clever complexity