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1550.xml
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<?xml version="1.0" encoding="UTF-8"?>
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<ead xmlns="http://ead3.archivists.org/schema/">
<control countryencoding="iso3166-1"
dateencoding="iso8601"
langencoding="iso639-2b"
relatedencoding="marc"
repositoryencoding="iso15511"
scriptencoding="iso15924">
<recordid instanceurl="https://hdl.handle.net/10079/fa/beinecke.macleish">beinecke.macleish</recordid>
<otherrecordid localtype="BIB">3248191</otherrecordid>
<filedesc>
<titlestmt>
<titleproper>Guide to the Archibald Macleish Collection
</titleproper>
<titleproper localtype="filing">MacLeish (Archibald) Collection</titleproper>
<author>by Bruce P. Stark</author>
</titlestmt>
<publicationstmt>
<publisher>Beinecke Rare Book and Manuscript Library</publisher>
<address>
<addressline>P. O. Box 208330</addressline>
<addressline>New Haven, CT 06520-8330</addressline>
<addressline localtype="telephone">(203) 432-2977 </addressline>
<addressline localtype="email">[email protected]</addressline>
<addressline>
<ref href="http://beinecke.library.yale.edu/"
linktitle="http://beinecke.library.yale.edu/"
show="new">http://beinecke.library.yale.edu/</ref>
</addressline>
</address>
<date>August 1989</date>
<num>YCAL MSS 38</num>
</publicationstmt>
<notestmt>
<controlnote>
<p>This finding aid, which is compliant with the Yale EAD Best Practice Guidelines, Version 1.0., has a MARC record in Yale's ILS with the following bib number: <num localtype="Orbis-bib">3248191</num>.</p>
</controlnote>
<controlnote localtype="offsite">
<p>Boxes: 1-21, 23-24</p>
</controlnote>
<controlnote localtype="onsite">
<p>Box: 22</p>
</controlnote>
<controlnote localtype="digital">
<p>This collection contains <num localtype="objects" altrender="12">12</num> published digital objects. And those objects are comprised of <num localtype="files" altrender="184">184</num> digital files.</p>
</controlnote>
</notestmt>
</filedesc>
<maintenancestatus value="derived"/>
<maintenanceagency countrycode="US">
<agencycode>US-CtY-BR</agencycode>
<agencyname>Beinecke Rare Book and Manuscript Library</agencyname>
</maintenanceagency>
<languagedeclaration>
<language langcode="eng">English</language>
<script scriptcode="Latn">Latin</script>
<descriptivenote>
<p>Finding aid written in English.</p>
</descriptivenote>
</languagedeclaration>
<conventiondeclaration>
<abbr>beinecke manuscript unit archival processing manual</abbr>
<citation>translation missing: en.enumerations.resource_finding_aid_description_rules.beinecke manuscript unit archival processing manual</citation>
</conventiondeclaration>
<rightsdeclaration>
<abbr>CC0</abbr>
<citation href="https://creativecommons.org/publicdomain/zero/1.0/"/>
<descriptivenote>
<p>Finding aid description and metadata in Archives at Yale are licensed under a CC0 1.0 Universal (CC0 1.0) Public Domain Dedication. This means that anyone may copy, modify, and distribute this descriptive metadata without restriction or permission. The CC0 license is explained in full on the Creative Commons website: <ref href="https://creativecommons.org/publicdomain/zero/1.0/">CC0 1.0 Universal (CC0 1.0) Public Domain Dedication</ref>. More information is available on our <ref href="https://archives.yale.edu/help">Help page</ref>.</p>
</descriptivenote>
</rightsdeclaration>
<localcontrol localtype="findaidstatus">
<term>under_revision</term>
</localcontrol>
<maintenancehistory>
<maintenanceevent>
<eventtype value="derived"/>
<eventdatetime>2025-01-09T01:12:51-05:00</eventdatetime>
<agenttype value="machine"/>
<agent>ArchivesSpace yale-rebased-v3.3.1</agent>
<eventdescription>This finding aid was produced using ArchivesSpace on Thursday January 9, 2025 at 01:12</eventdescription>
</maintenanceevent>
</maintenancehistory>
</control>
<archdesc altrender="/repositories/11/resources/1550" level="collection">
<did>
<unittitle>Archibald MacLeish collection</unittitle>
<unitid>YCAL MSS 38</unitid>
<repository>
<corpname>
<part>Beinecke Rare Book and Manuscript Library</part>
</corpname>
</repository>
<langmaterial>
<language langcode="eng">English</language>
</langmaterial>
<physdescstructured coverage="whole" physdescstructuredtype="spaceoccupied">
<quantity>12.5</quantity>
<unittype>Linear Feet</unittype>
</physdescstructured>
<physdesc localtype="container_summary">24 boxes</physdesc>
<unitdatestructured altrender="1914-1982 (inclusive)"
label="creation"
unitdatetype="inclusive">
<daterange>
<fromdate standarddate="1914">1914</fromdate>
<todate standarddate="1982">1982</todate>
</daterange>
</unitdatestructured>
<abstract id="aspace_49ee6eeb22c658fa6c36464f5570a476">The collection contains writings, correspondence, a handful of personal papers, and a songbook. The bulk of the material consists of drafts of such works as Songs for Eve (1954), The Wild Old Wicked Men & Other Poems (1968), The American Bell (1962), Herakles (1967), J. B. , and A Continuing Journey (1968).</abstract>
<origination label="Creator">
<persname rules="aacr">
<part localtype="agent_person">MacLeish, Archibald, 1892-1982</part>
</persname>
</origination>
</did>
<acqinfo id="aspace_9409ac018d898040beb2065d1cdced67">
<head>Immediate Source of Acquisition</head>
<p>The bulk of the collection was donated to Beinecke Rare Book and Manuscript Library by MacLeish between 1938 and 1976. The remaining material, which came to the library in small quantities from 1935 to 1976, has been placed in folders annotated with specific provenance information.</p>
</acqinfo>
<userestrict id="aspace_fc3fbeb2e05df3c9f1a9efeec93f77d3">
<head>Conditions Governing Use</head>
<p>The Archibald MacLeish Collection is the physical property of the Beinecke Rare Book and Manuscript Library, Yale University. Literary rights, including copyright, belong to the authors or their legal heirs and assigns. For further information, consult the appropriate curator.</p>
</userestrict>
<prefercite id="aspace_bc745191f552e1402c07d9d1f8dd3040">
<head>Preferred Citation</head>
<p>Archibald MacLeish Collection. Yale Collection of American Literature, Beinecke Rare Book and Manuscript Library.</p>
</prefercite>
<accessrestrict id="aspace_9aab80ef17fa05035218dd3346ec94c5">
<head>Conditions Governing Access</head>
<p>The materials are open for research.</p>
<p>
<title localtype="simple" render="italic">
<part>Restricted Fragile Papers</part>
</title> in boxes 23-24 may only be consulted with permission of the appropriate curator. Preservation photocopies for reference use have been substituted in the main files.</p>
</accessrestrict>
<bioghist id="aspace_85099ea203bbc1995fb8958bac1a0b53">
<head>ARCHIBALD MACLEISH (1892-1982)</head>
<p>Archibald MacLeish, poet, playwright, and government official, was born on May 7, 1892, in Glencoe, Illinois. He graduated from Yale in 1915, entered Harvard Law School, and married Ada Hitchcock in 1916. After the United States entered World War I, he enlisted as a private in the army, served in the artillery in France, and was discharged with the rank of captain. He graduated from Harvard Law School in 1919 and the next year joined the Boston law firm of Choate, Hall, and Stewart. In 1923 the MacLeish family moved to Paris, where they remained for five years. After returning to the United States, he travelled to Mexico to follow the route of Cortez's army in preparation for writing <title localtype="simple" render="italic">
<part>Conquistador</part>
</title>.</p>
<p>During the 1930s MacLeish was an editor of <title localtype="simple" render="italic">
<part>Fortune</part>
</title> magazine. He served as Librarian of Congress, 1939-44, Assistant Secretary of State for Public and Cultural Affairs, 1944-45, and Boylston Professor of Rhetoric and Poetry at Harvard University, 1949-62. MacLeish's poetry and dramatic writings earned him Pulitizer Prizes in 1932, 1952, and 1959, the Bollingen Prize and the National Book Award for poetry in 1953, the Presidential Medal of Freedom in 1977, and the National Medal for Literature in 1978. Archibald MacLeish died in Boston on April 20, 1982.</p>
<p>His major works of poetry include <title localtype="simple" render="italic">
<part>Tower of Ivory</part>
</title> (1917), <title localtype="simple" render="italic">
<part>The Pot of Earth</part>
</title> (1925), <title localtype="simple" render="italic">
<part>The Hamlet of A. MacLeish</part>
</title> (1928), <title localtype="simple" render="italic">
<part>New Found Land</part>
</title> (1930), <title localtype="simple" render="italic">
<part>Conquistador</part>
</title> (1932), <title localtype="simple" render="italic">
<part>America Was Promises</part>
</title> (1939), <title localtype="simple" render="italic">
<part>Collected Poems, 1917-1952</part>
</title> (1952), and <title localtype="simple" render="italic">
<part>Songs for Eve</part>
</title> (1954). MacLeish also wrote several plays, some of the most important being <title localtype="simple" render="italic">
<part>Panic</part>
</title> (1935), <title localtype="simple" render="italic">
<part>The Fall of the City</part>
</title> (1937), <title localtype="simple" render="italic">
<part>Air Raid</part>
</title> (1938), <title localtype="simple" render="italic">
<part>J.B.</part>
</title> (1958), <title localtype="simple" render="italic">
<part>Herakles</part>
</title> (1967), and <title localtype="simple" render="italic">
<part>Scratch</part>
</title> (1971). Counted among his works of prose are <title localtype="simple" render="italic">
<part>A Time to Speak</part>
</title> (1941), <title localtype="simple" render="italic">
<part>The American Story</part>
</title> (1944), <title localtype="simple" render="italic">
<part>Poetry and Experience</part>
</title>, (1960), and <title localtype="simple" render="italic">
<part>A Continuing Journey</part>
</title> (1968).</p>
</bioghist>
<scopecontent id="aspace_d900b3dc63498c0f93093076023e46f5">
<head>Scope and Contents</head>
<p>The Archibald MacLeish Collection consists of writings, correspondence, a scrapbook, and a handful of personal papers documenting aspects of the literary career of the Pulitizer Prize winning poet and dramatist. The papers span the dates 1914-82.</p>
<p>The collection is arranged in three series; <title localtype="simple" render="italic">
<part>Writings</part>
</title>, <title localtype="simple" render="italic">
<part>Correspondence</part>
</title>, and <title localtype="simple" render="italic">
<part>Personal Papers</part>
</title>, plus one box of Oversize material.</p>
<p>
<ref actuate="onrequest" show="replace" target="ref11">Series I, <title localtype="simple" render="italic">
<part>Writings</part>
</title> (Boxes 1-17)</ref>, is divided into the subseries <title localtype="simple" render="italic">
<part>Books, Poetry</part>
</title>, and <title localtype="simple" render="italic">
<part>Articles and Essays</part>
</title>. <title localtype="simple" render="italic">
<part>Books</part>
</title>, the largest subseries, is housed in Boxes 1-15 and is subdivided into sections for Poetry, Plays, and Prose, each alphabetically arranged by title.</p>
<p>Manuscript drafts exist for seven of the ten works of poetry found in the collection and documentation is generally better for later works than for earlier ones. The collection contains just reviews for <title localtype="simple" render="italic">
<part>The Pot of Earth</part>
</title> (1925), <title localtype="simple" render="italic">
<part>Nobodaddy</part>
</title> (1926), and <title localtype="simple" render="italic">
<part>Poems: 1924-33</part>
</title> (1933). Holograph and typescript drafts of <title localtype="simple" render="italic">
<part>Conquistador</part>
</title> (1932), an epic on the Spanish conquest of Mexico for which MacLeish won his first Pulitzer Prize, are found in the papers, together with a typescript of <title localtype="simple" render="italic">
<part>Collected Poems, 1917-1952</part>
</title> (1952), the work that earned the author his second Pulitizer Prize. Complete drafts also exist for <title localtype="simple" render="italic">
<part>Public Speech</part>
</title> (1936), <title localtype="simple" render="italic">
<part>America Was Promises</part>
</title> (1939), <title localtype="simple" render="italic">
<part>Songs for Eve</part>
</title> (1954), and <title localtype="simple" render="italic">
<part>The Human Season: Selected Poems 1926-1972</part>
</title> (1972). Information is most complete for <title localtype="simple" render="italic">
<part>"The Wild Old Wicked Man" & Other Poems</part>
</title> (1968), for which the collection contains two notebooks, two typescript drafts, and three sets of galley proofs.</p>
<p>A similar pattern holds in the Plays section of Series I. The documentation for <title localtype="simple" render="italic">
<part>Panic</part>
</title> (1935), <title localtype="simple" render="italic">
<part>The Fall of the City</part>
</title> (1937), and <title localtype="simple" render="italic">
<part>Air Raid</part>
</title> (1938) is sparse, while that for MacLeish's later plays is more complete. The collection contains single drafts for <title localtype="simple" render="italic">
<part>The Trojan Horse</part>
</title> (1952) and <title localtype="simple" render="italic">
<part>Scratch</part>
</title> (1971) and multiple drafts for <title localtype="simple" render="italic">
<part>This Music Crept by Me Upon the Waters</part>
</title> (1953), <title localtype="simple" render="italic">
<part>J.B.</part>
</title> (1958), <title localtype="simple" render="italic">
<part>The American Bell</part>
</title> (1962), and <title localtype="simple" render="italic">
<part>Herakles</part>
</title> (1967). <title localtype="simple" render="italic">
<part>The American Bell</part>
</title>, the author's celebration of American independence, was first performed in Philadelphia on July 4, 1962. For additional information on the historical background of the production, see the Julian P. Boyd correspondence, Box 18, folders 330-32. <title localtype="simple" render="italic">
<part>J.B.</part>
</title>, a verse drama based on the Book of Job, earned MacLeish his third Pulitizer Prize. Some four boxes of early drafts, drafts of the Houghton Mifflin edition of the play, of the original Yale production, of the Broadway production directed by Elia Kazan, and of subsequent productions are included in the collection, together with articles about the play, photographs of the Yale and British Guiana productions, reviews, and royalty statements.</p>
<p>Archibald MacLeish's prose books are found in Boxes 10-15. The collection contains a review of <title localtype="simple" render="italic">
<part>A Time to Speak</part>
</title> (1941) and draft fragments for <title localtype="simple" render="italic">
<part>The American Cause</part>
</title> (1941). Several drafts of <title localtype="simple" render="italic">
<part>Poetry and Experience</part>
</title> (1960), a study of poetry; <title localtype="simple" render="italic">
<part>The Eleanor Roosevelt Story</part>
</title> (1965), a television script; and <title localtype="simple" render="italic">
<part>A Continuing Journey</part>
</title> (1968, a collection of previously published essays), are found in the series.</p>
<p>The Poetry section of Series I (Box 16) holds a notebook, 3 folders of unidentified poems, and 69 folders of identified poems. Twenty-two were included in "<title localtype="simple" render="italic">
<part>The Wild Old Wicked Man" & Other Poems</part>
</title> and 5 in <title localtype="simple" render="italic">
<part>Songs for Eve</part>
</title>. Some 34 poems exist only in holograph, another 15 only in typescript, 5 only in their published forms, 14 in multiple formats, and 1 in calligraphic form. Published versions for a total of 6 poems are included: "The Black Day: To the Memory of Lawrence Duggen," "Cartoon," "For Amy Lowell," "In my Thirtieth Year," "Poem for a Festival of Art at the Boston Public Gardens," and "What Riddle Asked the Sphinx." About two-thirds of the poems have been corrected by the author and 21 are found in multiple versions, including "Dr. Sigmund Freud Discovers the Sea Shell," "Hotel Breakfast," and "The Ship in the Tomb." Among other poems of note are discarded drafts of "The Wisconsin-Nevada Axis," about red-baiting Senators McCarthy and McCarran, and "The Young Dead Soldiers," a tribute to Richard H. Myers, the deceased son of friends.</p>
<p>Box 17 houses a variety of articles, essays, speeches, and similar material. Of particular note are MacLeish's introduction to <title localtype="simple" render="italic">
<part>Permit Me Voyage</part>
</title> by James Agee, papers on the prologue to <title localtype="simple" render="italic">
<part>J.B.</part>
</title>, statements on the death of Ernest Hemingway, and two speeches given at Yale alumni dinners.</p>
<p>
<ref actuate="onrequest" show="replace" target="ref317">Series II, <title localtype="simple" render="italic">
<part>Correspondence</part>
</title>
</ref> (Boxes 18-19), contains alphabetically arranged letters, most written to MacLeish, from a variety of correspondents. The majority concern early productions of <title localtype="simple" render="italic">
<part>J.B.</part>
</title>, whose world premiere was held at Yale on April 22, 1958.</p>
<p>The <title localtype="simple" render="italic">
<part>J.B.</part>
</title> material includes correspondence concerning publication of the play, revisions of the verse drama prior to its first productions, early production efforts, overseas productions, translations of the play into German and Italian, and fan mail. Information about commercial publication of <title localtype="simple" render="italic">
<part>J.B.</part>
</title>, production contracts, and royalties is found in the Houghton Mifflin Company and William Morris Agency correspondence. Several individuals, including John Ciardi, F. Curtis Canfield, Elia Kazan, and Laurier Lister offered comments about the play and made suggestions for text changes. The eminent critic John Ciardi was particularly enthusiastic. In a September 10, 1957, letter containing suggestions for changes in the text, he praises the play's magnificence and states that he is ready "to swear in advance to anything you do, to go pilgrim to your shrine, and to pledge my sword against the forces of darkness." His review of the published version of the play in the March 8, 1958 issue of the <title localtype="simple" render="italic">
<part>Saturday Review</part>
</title> (Box 9, folder 110), titled "The Birth of a Classic," praises <title localtype="simple" render="italic">
<part>J.B.</part>
</title> as "great poetry, great drama, and...great stagecraft."</p>
<p>The abortive attempt by the Phoenix Theatre to produce the play is discussed in a series of 1957 letters of T. Edward Hambleton and Herman Shumlin. As early as August 1956, F. Curtis Canfield, dean of the Yale University School of Drama, asked MacLeish about the possibility of staging the play at Yale and, with the collapse of the Phoenix Theatre effort in December 1957, he received permission to produce it at the University. In several 1958 letters Canfield discussed possible revisions in the text and his hope to produce the play on Broadway. Barely one week after its world premiere he wrote MacLeish to thank him, because in "one stroke, by giving us permission to do <title localtype="simple" render="italic">
<part>J.B.</part>
</title> here, you did more for the Drama School than anyone has done for it in many a year." The Broadway production of <title localtype="simple" render="italic">
<part>J.B.</part>
</title> is discussed in the correspondence of Alfred De Liagre, producer of the play, and Elia Kazan. Their letters contain numerous comments on the play's text and its casting.</p>
<p>In the summer of 1957 Eva Hesse of Munich was given permission to translate <title localtype="simple" render="italic">
<part>J.B.</part>
</title> into German and was appointed Houghton Mifflin's agent for the German rights to the play. Her letters contain reports on her translating progress, plans for the first German production of "Spiel um Job" at the 1958 Salzburg Festival, and news of subsequent productions. The Salzburg production, directed by Professor O. E. Schuh of Berlin's Theater am Kurfürstendamm, displeased Hesse and Dr. Peter Suhrkamp of Suhrkamp Verlag, MacLeish's German publisher. In an August 16, 1958 letter, she calls the production dishonest, provincial, and stupid, while Suhrkamp, writing a week later, states that Schuh made unilateral changes in the translation and incorrectly treated "Spiel um Job" as a religious mystery play. Letters of Sergio Morando, Mrs. Paolo Ojetti, Iris Origo, and Luigi Squarzini discuss the translation of <title localtype="simple" render="italic">
<part>J.B.</part>
</title> into Italian and its 1958 production at San Miniato. Laurier Lister's and Margery Vosper's correspondence concerns the 1961 London production, one that both De Liagre and Aubrey Blackburn (Box 19, folder 433) considered disappointing and lacking in vitality.</p>
<p>Eva Hesse translated Ezra Pound's "Women of Trachis" into German, and a dozen letters written between August 1957 and January 1963 contain comments on him. The subject of the Julian P. Boyd correspondence is the 1962 <title localtype="simple" render="italic">
<part>son et lumière</part>
</title> production of "The American Bell." Boyd's letters contain comments on the historical accuracy of the manuscript, a discussion of events leading to independence, and a typescript of an article intended for publication in the <title localtype="simple" render="italic">
<part>Saturday Evening Post</part>
</title>, "There was a Tumult in the City: But did the Liberty Bell Ring that Day?" Lawrence Mason, assistant professor of English at Yale, 1916-20, discusses publication plans for <title localtype="simple" render="italic">
<part>Tower of Ivory</part>
</title> (1917), MacLeish's first poetry collection for which Mason wrote the introduction. He also writes in a long July 19-24, 1918 letter of the ringing of the bells in New Haven at news of "Foch's great Counter Offensive," of his conviction that Germany must be totally defeated, and of his despair about the future of the country after the war. "You are lucky to be out of this barren country: 'no <title localtype="simple" render="italic">
<part>gentleman's</part>
</title> land' is deadlier than 'no man's land'." Several 1937-38 letters between MacLeish and Arthur Mizener concern an exhibition of MacLeish's books at Yale and Mizener's work on a MacLeish bibliography.</p>
<p>The collection also contains a small quantity of letters, most written during the 1920s and early 1930s, by well-known literary figures that include comments on MacLeish's poetry. Correspondents include John Peale Bishop, T. S. Eliot, F. Scott Fitzgerald, Louis Galantière, Wyndham Lewis, Amy Lowell, John Masefield, Adrienne Monnier, Marianne Moore, and Carl Sandburg. John Peale Bishop, for example, praises <title localtype="simple" render="italic">
<part>New Found Land</part>
</title> and <title localtype="simple" render="italic">
<part>Conquistador</part>
</title>, and Louis Galantière discusses <title localtype="simple" render="italic">
<part>The Hamlet of A. MacLeish</part>
</title>. Amy Lowell in a six-page February 1924 letter discusses poetry and offers her views of modernist poets T. S. Eliot, Marianne Moore, Ezra Pound, and E. E. Cummings. She describes Moore as "a nice girl, but, wherever she was born, she is the thin-lipped, inhibited New England spinster." Lowell concedes that Moore may have some good poetry in her, "she is very shrewd when you talk to her - but her efforts to make herself virile and strong, to be, in fact, something she is not, have killed her." Lowell states that she is saying all this "largely because I think I discern in you a dangerous tendency to over-respond to theories."</p>
<p>Other correspondents of note include Maxwell Anderson, Grace Allen Bangs, Henry R. Luce, Ben Shawn, and Henry P. Van Dusen.</p>
<p>The papers contain relatively few letters written by Archibald MacLeish, most of which are carbons. Scattered copies of MacLeish's letters concerning <title localtype="simple" render="italic">
<part>J.B.</part>
</title> are found in the correspondence of Alfred De Liagre, T. Edward Hambleton, Houghton Mifflin Company, Elia Kazan, Sergio Morando, Luigi Squarzini, and Margery Vosper. The largest group of original MacLeish letters were written to Elizabeth Choate, daughter of Charles Francis Choate, Jr. of Choate, Hall and Stewart. The letters discuss poetry and sometimes include samples of his work.</p>
<p>
<ref actuate="onrequest" show="replace" target="ref447">Series III, <title localtype="simple" render="italic">
<part>Personal Papers</part>
</title>
</ref>(Boxes 20-21), holds a variety of papers about MacLeish, including an identity card and an obituary. It also includes a report on the death of Kenneth MacLeish, who was shot down over Schoore, Belgium on October 14, 1918, with snapshots of the site; <title localtype="simple" render="italic">
<part>A Catalog of the First Editions of Archibald MacLeish</part>
</title> by Arthur Mizener; and a scrapbook, restricted until 1991, of letters and verses by MacLeish collected by Yale classmate Francis Hyde Bangs.</p>
<p>Oversize papers (Box 22) holds proofs of several MacLeish writings, several articles about <title localtype="simple" render="italic">
<part>J.B.</part>
</title>, and a typescript of <title localtype="simple" render="italic">
<part>The Eleanor Roosevelt Story</part>
</title>.</p>
</scopecontent>
<controlaccess>
<subject identifier="http://id.loc.gov/authorities/subjects/sh85039333"
source="lcsh">
<part localtype="topical">Drama</part>
<part localtype="topical">Technique</part>
</subject>
<subject identifier="http://id.loc.gov/authorities/subjects/sh85103395"
source="lcsh">
<part localtype="topical">Playwriting</part>
</subject>
<subject source="local">
<part localtype="topical">Poets, American</part>
<part localtype="temporal">20th Century</part>
</subject>
<subject identifier="http://id.loc.gov/authorities/subjects/sh85108871"
source="lcsh">
<part localtype="topical">Publishers and publishing</part>
</subject>
<subject identifier="http://id.loc.gov/authorities/subjects/sh85134542"
source="lcsh">
<part localtype="topical">Theater</part>
<part localtype="topical">Production and direction</part>
</subject>
<genreform identifier="http://vocab.getty.edu/aat/300026451" source="aat">
<part localtype="genre_form">Poems</part>
</genreform>
<occupation identifier="http://id.loc.gov/authorities/subjects/sh85009793"
source="lcsh">
<part localtype="occupation">Authors</part>
</occupation>
<subject identifier="http://id.loc.gov/authorities/subjects/sh85039342"
source="lcsh">
<part localtype="topical">Dramatists</part>
</subject>
<occupation source="local">
<part localtype="occupation">Poets</part>
</occupation>
<subject identifier="http://id.loc.gov/authorities/subjects/sh85136974"
source="lcsh">
<part localtype="topical">Translators</part>
</subject>
<persname rules="aacr">
<part localtype="agent_person">Bishop, John Peale, 1892-1944</part>
</persname>
<persname rules="aacr">
<part localtype="agent_person">Boyd, Julian P. (Julian Parks), 1903-1980</part>
</persname>
<persname>
<part localtype="agent_person">Canfield, Curtis, 1903-1986</part>
</persname>
<persname>
<part localtype="agent_person">Choate, Elizabeth</part>
</persname>
<persname rules="aacr">
<part localtype="agent_person">De Liagre, Alfred, 1904-1987</part>
</persname>
<persname>
<part localtype="agent_person">Eliot, T. S. (Thomas Stearns), 1888-1965</part>
</persname>
<persname rules="aacr">
<part localtype="agent_person">Hesse, Eva</part>
</persname>
<persname source="local">
<part localtype="agent_person">Houbleton, T. Edmund</part>
</persname>
<persname>
<part localtype="agent_person">Kazan, Elia, 1909-2003</part>
</persname>
<persname>
<part localtype="agent_person">Lewis, Wyndham, 1882-1957</part>
</persname>
<persname rules="aacr" source="local">
<part localtype="agent_person">Lister, Laurier, 1909-</part>
</persname>
<persname rules="aacr">
<part localtype="agent_person">Lowell, Amy, 1874-1925</part>
</persname>
<persname rules="aacr">
<part localtype="agent_person">MacLeish, Archibald, 1892-1982</part>
</persname>
<persname rules="aacr">
<part localtype="agent_person">Mason, Lawrence, 1882-1939</part>
</persname>
<persname rules="aacr">
<part localtype="agent_person">Mizener, Arthur</part>
</persname>
</controlaccess>
<dsc>
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<head>Scope and Contents</head>
<p>Series I. is divided into three sections. The first, <title localtype="simple" render="italic">
<part>Books</part>
</title>, is subdivided under the headings of Poetry, Plays, and Prose, each of which is alphabetically arranged by title. The papers in the other two sections, <title localtype="simple" render="italic">
<part>Articles and Essays</part>
</title> and <title localtype="simple" render="italic">
<part>Poetry</part>
</title>, are also alphabetically arranged by title.</p>
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<unittitle>Reviews</unittitle>
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<part>The Pot of Earth</part>
</title>
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<c altrender="/repositories/11/archival_objects/600573"
id="ref31"
level="file">
<did>
<unittitle>
<title localtype="simple" render="italic">
<part>Poems: 1924-33</part>
</title>
</unittitle>
</did>
<c altrender="/repositories/11/archival_objects/600574"
id="ref32"
level="file">
<did>
<unittitle>Reviews</unittitle>
<unitdatestructured altrender="1934" label="creation" unitdatetype="inclusive">
<datesingle standarddate="1934">1934</datesingle>
</unitdatestructured>
<container altrender="/repositories/11/top_containers/72187 /locations/9"
containerid="39002075037094"
id="aspace_ref32_c1"
label="Mixed Materials"
localtype="box">2</container>
<container id="aspace_ref32_c2" localtype="folder" parent="aspace_ref32_c1">22</container>
</did>
</c>
</c>
<c altrender="/repositories/11/archival_objects/600575"
id="ref33"
level="file">
<did>
<unittitle>
<title localtype="simple" render="italic">
<part>The Pot of Earth</part>
</title>
</unittitle>
</did>
<relatedmaterial id="aspace_b7b4d3769dc8395cc2f2d44bc4923938">
<head>Related Archival Materials note</head>
<p>
<ref actuate="onrequest" show="replace" target="ref28"> See: <title localtype="simple" render="italic">
<part>Nobodady</part>
</title>, Box 2 folder 20 </ref>
</p>
</relatedmaterial>
</c>
<c altrender="/repositories/11/archival_objects/600576"
id="ref35"
level="file">
<did>
<unittitle>
<title localtype="simple" render="italic">
<part>Public Speech; Poems by Archibald MacLeish</part>
</title>
</unittitle>
</did>
<relatedmaterial id="aspace_e33ca1f70b6927337db0b38cc043327d">
<head>Related Archival Materials note</head>
<p>
<ref actuate="onrequest" show="replace" target="ref470">See also: Oversize, Box 22, folder 452</ref>
</p>
</relatedmaterial>
<c altrender="/repositories/11/archival_objects/600577"
id="ref36"
level="file">
<did>
<unittitle>Typescript, corrected</unittitle>
<unitdatestructured altrender="1936" label="creation" unitdatetype="inclusive">
<datesingle standarddate="1936">1936</datesingle>
</unitdatestructured>
<container altrender="/repositories/11/top_containers/72187 /locations/9"
containerid="39002075037094"
id="aspace_ref36_c1"
label="Mixed Materials"
localtype="box">2</container>
<container id="aspace_ref36_c2" localtype="folder" parent="aspace_ref36_c1">23</container>
</did>
</c>
</c>
<c altrender="/repositories/11/archival_objects/600578"
id="ref38"
level="file">
<did>
<unittitle>
<title localtype="simple" render="italic">
<part>Songs for Eve</part>
</title>
</unittitle>
</did>
<c altrender="/repositories/11/archival_objects/600579"
id="ref39"
level="file">
<did>
<unittitle>Notebook</unittitle>
<unitdate label="creation" unitdatetype="inclusive">n.d.</unitdate>
<container altrender="/repositories/11/top_containers/72187 /locations/9"
containerid="39002075037094"
id="aspace_ref39_c1"
label="Mixed Materials"
localtype="box">2</container>
<container id="aspace_ref39_c2" localtype="folder" parent="aspace_ref39_c1">24</container>
</did>
</c>
<c altrender="/repositories/11/archival_objects/600580"
id="ref40"
level="file">
<did>
<unittitle>Notebook</unittitle>
<unitdatestructured altrender="1952" label="creation" unitdatetype="inclusive">
<datesingle standarddate="1952">1952</datesingle>
</unitdatestructured>
<container altrender="/repositories/11/top_containers/72187 /locations/9"
containerid="39002075037094"
id="aspace_ref40_c1"
label="Mixed Materials"
localtype="box">2</container>
<container id="aspace_ref40_c2" localtype="folder" parent="aspace_ref40_c1">25</container>
</did>
</c>
<c altrender="/repositories/11/archival_objects/600581"
id="ref41"
level="file">
<did>
<unittitle>Drafts, holograph manuscript, corrected</unittitle>
<unitdate label="creation" unitdatetype="inclusive">n.d.</unitdate>
<container altrender="/repositories/11/top_containers/72187 /locations/9"
containerid="39002075037094"
id="aspace_ref41_c1"
label="Mixed Materials"
localtype="box">2</container>
<container id="aspace_ref41_c2" localtype="folder" parent="aspace_ref41_c1">26-28</container>
</did>
</c>
<c altrender="/repositories/11/archival_objects/600582"
id="ref42"
level="file">
<did>
<unittitle>Draft, holograph manuscript, corrected</unittitle>
<unitdate label="creation" unitdatetype="inclusive">n.d.</unitdate>
<container altrender="/repositories/11/top_containers/72187 /locations/9"
containerid="39002075037094"
id="aspace_ref42_c1"
label="Mixed Materials"
localtype="box">2</container>
<container id="aspace_ref42_c2" localtype="folder" parent="aspace_ref42_c1">29</container>
</did>
</c>
</c>
<c altrender="/repositories/11/archival_objects/600583"
id="ref43"
level="file">
<did>
<unittitle>
<title localtype="simple" render="italic">
<part>"The Wild Old Wicked Man" & Other Poems</part>
</title>
</unittitle>
</did>
<c altrender="/repositories/11/archival_objects/600584"
id="ref44"
level="file">
<did>
<unittitle>Notebook</unittitle>
<unitdatestructured altrender="1961, n.d." label="creation" unitdatetype="inclusive">
<datesingle standarddate="1961">1961, n.d.</datesingle>
</unitdatestructured>
<container altrender="/repositories/11/top_containers/72188 /locations/9"
containerid="39002075037102"
id="aspace_ref44_c1"
label="Mixed Materials"
localtype="box">3</container>
<container id="aspace_ref44_c2" localtype="folder" parent="aspace_ref44_c1">30</container>
</did>
</c>
<c altrender="/repositories/11/archival_objects/600585"
id="ref45"
level="file">
<did>
<unittitle>Notebook</unittitle>
<unitdatestructured altrender="1962" label="creation" unitdatetype="inclusive">
<datesingle standarddate="1962">1962</datesingle>
</unitdatestructured>
<container altrender="/repositories/11/top_containers/72188 /locations/9"
containerid="39002075037102"
id="aspace_ref45_c1"
label="Mixed Materials"
localtype="box">3</container>
<container id="aspace_ref45_c2" localtype="folder" parent="aspace_ref45_c1">31</container>
</did>
</c>
<c altrender="/repositories/11/archival_objects/600586"
id="ref46"
level="file">
<did>
<unittitle>Typescript</unittitle>
<unitdate label="creation" unitdatetype="inclusive">n.d.</unitdate>
<container altrender="/repositories/11/top_containers/72188 /locations/9"
containerid="39002075037102"
id="aspace_ref46_c1"
label="Mixed Materials"
localtype="box">3</container>
<container id="aspace_ref46_c2" localtype="folder" parent="aspace_ref46_c1">32</container>
</did>
</c>
<c altrender="/repositories/11/archival_objects/600587"
id="ref47"
level="file">
<did>
<unittitle>Setting typescript, with editorial markings</unittitle>
<unitdatestructured altrender="1968" label="creation" unitdatetype="inclusive">
<datesingle standarddate="1968">1968</datesingle>
</unitdatestructured>
<container altrender="/repositories/11/top_containers/72188 /locations/9"
containerid="39002075037102"
id="aspace_ref47_c1"
label="Mixed Materials"
localtype="box">3</container>
<container id="aspace_ref47_c2" localtype="folder" parent="aspace_ref47_c1">33</container>
</did>
</c>
<c altrender="/repositories/11/archival_objects/600588"
id="ref48"
level="file">
<did>
<unittitle>Galley proofs</unittitle>
<unitdatestructured altrender="1968" label="creation" unitdatetype="inclusive">
<datesingle standarddate="1968">1968</datesingle>
</unitdatestructured>
<container altrender="/repositories/11/top_containers/72188 /locations/9"
containerid="39002075037102"
id="aspace_ref48_c1"
label="Mixed Materials"
localtype="box">3</container>
<container id="aspace_ref48_c2" localtype="folder" parent="aspace_ref48_c1">34</container>