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<?xml version="1.0" encoding="UTF-8"?>
<?xml-model href="https://raw.githubusercontent.com/YaleArchivesSpace/EAD3-to-PDF-UA/master/ead3-yale.sch" type="application/xml" schematypens="http://purl.oclc.org/dsdl/schematron"?>
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<recordid instanceurl="https://hdl.handle.net/10079/fa/beinecke.coxc">beinecke.coxc</recordid>
<otherrecordid localtype="BIB">3813443</otherrecordid>
<filedesc>
<titlestmt>
<titleproper>Guide to the Christopher Cox Papers
</titleproper>
<titleproper localtype="filing">Cox (Christopher) Papers</titleproper>
<author>by Sandra Markham</author>
</titlestmt>
<publicationstmt>
<publisher>Beinecke Rare Book and Manuscript Library</publisher>
<address>
<addressline>P. O. Box 208330</addressline>
<addressline>New Haven, CT 06520-8330</addressline>
<addressline localtype="telephone">(203) 432-2977 </addressline>
<addressline localtype="email">[email protected]</addressline>
<addressline>
<ref href="http://beinecke.library.yale.edu/"
linktitle="http://beinecke.library.yale.edu/"
show="new">http://beinecke.library.yale.edu/</ref>
</addressline>
</address>
<date>September 2007</date>
<num>YCAL MSS 264</num>
</publicationstmt>
<notestmt>
<controlnote>
<p>This finding aid, which is compliant with the Yale EAD Best Practice Guidelines, Version 1.0., has a MARC record in Yale's ILS with the following bib number: <num localtype="Orbis-bib">3813443</num>.</p>
</controlnote>
<controlnote localtype="offsite">
<p>Boxes: 1-44, 45-46 (Oversize), 47</p>
</controlnote>
<controlnote localtype="digital">
<p>This collection contains <num localtype="objects" altrender="16">16</num> published digital objects. And those objects are comprised of <num localtype="files" altrender="243">243</num> digital files.</p>
</controlnote>
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<agencyname>Beinecke Rare Book and Manuscript Library</agencyname>
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<languagedeclaration>
<language langcode="eng">English</language>
<script scriptcode="Latn">Latin</script>
<descriptivenote>
<p>Finding aid written in English.</p>
</descriptivenote>
</languagedeclaration>
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<abbr>dacs</abbr>
<citation>Describing Archives: A Content Standard</citation>
</conventiondeclaration>
<rightsdeclaration>
<abbr>CC0</abbr>
<citation href="https://creativecommons.org/publicdomain/zero/1.0/"/>
<descriptivenote>
<p>Finding aid description and metadata in Archives at Yale are licensed under a CC0 1.0 Universal (CC0 1.0) Public Domain Dedication. This means that anyone may copy, modify, and distribute this descriptive metadata without restriction or permission. The CC0 license is explained in full on the Creative Commons website: <ref href="https://creativecommons.org/publicdomain/zero/1.0/">CC0 1.0 Universal (CC0 1.0) Public Domain Dedication</ref>. More information is available on our <ref href="https://archives.yale.edu/help">Help page</ref>.</p>
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<eventdescription>This finding aid was produced using ArchivesSpace on Thursday January 9, 2025 at 01:06</eventdescription>
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<maintenanceevent>
<eventtype value="revised"/>
<eventdatetime>2023-06-21</eventdatetime>
<agenttype value="unknown"/>
<agent/>
<eventdescription>Finding aid revised to address euphemistic and/or stigmatizing descriptive language related to suicide. </eventdescription>
</maintenanceevent>
</maintenancehistory>
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<archdesc altrender="/repositories/11/resources/1487" level="collection">
<did>
<unittitle>Christopher Cox Papers</unittitle>
<unitid>YCAL MSS 264</unitid>
<repository>
<corpname>
<part>Beinecke Rare Book and Manuscript Library</part>
</corpname>
</repository>
<langmaterial>
<language langcode="eng">English</language>
</langmaterial>
<physdescstructured coverage="whole" physdescstructuredtype="spaceoccupied">
<quantity>20.73</quantity>
<unittype>Linear Feet</unittype>
</physdescstructured>
<physdesc localtype="container_summary">47 boxes</physdesc>
<unitdatestructured label="creation" unitdatetype="inclusive">
<daterange>
<fromdate standarddate="1927">1927</fromdate>
<todate standarddate="1990">1990</todate>
</daterange>
</unitdatestructured>
<unitdatestructured label="creation" unitdatetype="bulk">
<daterange>
<fromdate standarddate="1966">1966</fromdate>
<todate standarddate="1990">1990</todate>
</daterange>
</unitdatestructured>
<abstract id="aspace_fa2006c91eff0061e9f9cf9e4dea8adb">The Christopher Cox Papers consists of the writings, correspondence files, and personal papers of the editor, author, actor, director, and producer Christopher Cox, and of his partner, the art historian William Olander.</abstract>
<origination label="Creator">
<persname rules="aacr">
<part localtype="agent_person">Cox, Christopher, 1949-1990</part>
</persname>
</origination>
<origination label="Creator">
<persname rules="aacr">
<part localtype="agent_person">Olander, William</part>
</persname>
</origination>
</did>
<acqinfo id="aspace_cb31136b1a1f38e9c0387c8cd93e2c72">
<head>Immediate Source of Acquisition</head>
<p>Gift of Nancy Cox, 1993 and 1994.</p>
</acqinfo>
<accessrestrict id="aspace_d4f2f71d7946af87a40c1870efedb6b8">
<head>Conditions Governing Access</head>
<p>The materials are open for research.</p>
<p>Box 47 (audiocassettes): Restricted fragile material. Reference copies may be requested. Consult Access Services for further information.</p>
<p>Box 47 (computer disk): Restricted fragile material. Reference copies of electronic files may be requested. Consult Access Services for further information.</p>
</accessrestrict>
<userestrict id="aspace_8a379262270d14a1b963bef9b7c16454">
<head>Conditions Governing Use</head>
<p>The Christopher Cox Papers is the physical property of the Beinecke Rare Book and Manuscript Library, Yale University. Literary rights, including copyright, belong to the authors or their legal heirs and assigns. For further information, consult the appropriate curator.</p>
</userestrict>
<prefercite id="aspace_0673785065a7d70465a698aedc47b074">
<head>Preferred Citation</head>
<p>Christopher Cox Papers. Yale Collection of American Literature, Beinecke Rare Book and Manuscript Library</p>
</prefercite>
<bioghist id="aspace_2859c3751d1361f35b647baf2ef479f2">
<head>Christopher Cox (1949-1990)</head>
<p>Christopher Cox (1949-1990), an editor, author, actor, director, and producer, was born August 27, 1949, in Gadsden, Alabama, to Howard R. Cox, a prominent banker, and Dorothy Trusler Cox. His birth name was Howard Raymond Cox Jr., and his family and childhood friends called him Ray throughout his life. He graduated from Emma Sansom High School, as did his brother Timothy, and sisters Carol and Nancy.</p>
<p>In 1966, at age 16, Cox took a summer job in Washington as a page for Alabama's senator John Sparkman, and then returned to the city the summer after high school to work for two representatives, Armistead Selden and George Andrews. He attended the University of Alabama in Birmingham for two years, where he became involved in college dramatics. Dropping out at the end of his sophomore year, Cox moved to New York in hopes of a career in the theatre and never returned to college (although he did list a 1969 BA from the University of Alabama on some of his resumes). His first role was an understudy for the Mute in <title localtype="simple" render="italic">
<part>The Fantasticks</part>
</title>, which he said was the only role open to him because of his Southern accent. It is not clear whether he achieved further study in theater, but ephemera in Series III, Personal Papers, indicates that he took classes at the HB Studio in New York in the fall of 1969.</p>
<p>Cox took Christopher as his professional name in 1970, he wrote to his friend Steven Beil, because when he went to join the Actors' Equity labor union there was a Ray Cox already enrolled. His life in the theatre included performing, directing, and writing both plays and lyrics. His primary contribution was as director of the New Play Series and the Writers Workshop at the Joseph Jefferson Theatre Company, where he produced a dozen works by young playwrights between 1974 and 1976. He performed in both Broadway and Off-Broadway shows through the 1970s before turning more to writing, editing, and photography in the 1980s. In the last decade of his life, Cox worked for publishing houses, primarily E.P. Dutton and Ballantine, and wrote freelance articles and reviews for the <title localtype="simple" render="italic">
<part>Soho Weekly News</part>
</title> (published between 1974 and 1982) and other papers and magazines. His book, <title localtype="simple" render="italic">
<part>A Key West Companion</part>
</title>, was issued by St. Martin's Press in 1983, and his short study of photographer Dorothea Lange was published by Aperture in 1987.</p>
<p>Cox was affiliated with a literary group known as the Violet Quill (or, as he wrote in his diary on March 31, 1980, the Lavender Quill), whose seven members, men writing for men, are regarded as one of the strongest collective voices of the gay male experience in the post-Stonewall era. Authors Robert Ferro, Michael Grumley, Andrew Holleran, Felice Picano, Edmund White, George Whitmore, and Cox, met several times in 1979, 1980, and 1981 to read aloud from and discuss their works in progress, as well as those by their friends. Also on their agenda were discussions of how they could work together to promote recognition, acceptance, and publication of gay literature beyond the boundaries of their own community. Within ten years Ferro, Grumley, and Whitmore had died from AIDS-related complications, as did Christopher Cox on September 7, 1990. He was 41 years of age.</p>
<p>Though he left Alabama in 1969, the place and the people were never far from Cox's mind, and both regularly appear as central motifs in his stories. The early deaths of his uncle Roy (by suicide in 1956) and his mother (from cancer in 1975) were also significant events in his life and became focal points in his writings. One important job that Cox held was as a secretary to composer Virgil Thomson, from March 1975 through 1977. In his position, he arranged and cataloged Thomson's correspondence and music manuscripts prior to their transfer to Yale University; in turn, the job gave him immediate access to the people in Thomson's circle, and to his neighbors in the Chelsea Hotel where Cox would eventually live as well. Thomson composed his portrait, "Christopher Cox: Singing a Song," in 1981.</p>
<p>In his script for "Neurotic Moon," a 1978 video piece, Cox described the job of Christopher, his main character, as a secretary for "an old, established and famous composer assembling the man's correspondence and musical manuscripts for donation to a large library." About Christopher, he wrote, "What he is doing is putting together the pieces of this man's life while his life is falling to pieces." The number of semi-autobiographical (and outright autobiographical) writings that Christopher Cox left at his death, nearly all of which were incomplete and unpublished, reveal that though many pieces of his life were complex and difficult, they were also an asset as a resource from which he drew to write openly about the gay community, as well as the world he left behind in the South.</p>
</bioghist>
<bioghist id="aspace_a0cc474a2cab2f539c6f3ab59f7c072c">
<head>William R. Olander (1950-1989)</head>
<p>William R. Olander (1950-1989), the partner of Christopher Cox, was an art historian, museum curator, and critic. Born in Virginia, Minnesota, on July 14, 1950, he attended Northwestern University, where he studied with Jack Burnham, and received a Ph.D. in art history from New York University's Institute of Fine Arts in 1983. His dissertation, <title localtype="simple" render="italic">
<part>Pour Transmettre A? La Poste?rite?: French Painting and Revolution, 1774-1795</part>
</title>, was guided by the noted art historian Robert Rosenblum. After internships at the Metropolitan Museum of Art and the Toledo Museum of Art, Olander was appointed curator of modern art at the Allen Memorial Museum at Oberlin College; he held that position from 1979 to 1984, and served as the museum's acting director in his last two years there. On January 1, 1985, he became curator at the New Museum of Contemporary Art in New York, and met Christopher Cox in the spring of 1986. Olander was senior curator at the New Museum when he died from AIDS-related complications on March 18, 1989. An obituary and papers related his memorial service and the William Olander Fund at the New Museum are in Series I, Box 5, folder 113.</p>
<p>In addition to organizing exhibitions at both museums during his years there, Olander served as a guest curator, juror, or catalogue essayist for shows in many other venues. Among his exhibitions were the Allen Memorial Museum's New Voices series: <title localtype="simple" render="italic">
<part>6 Photographers</part>
</title> (1981) and <title localtype="simple" render="italic">
<part>Women and the Media: New Video</part>
</title> (1984); <title localtype="simple" render="italic">
<part>Drawings: After Photography</part>
</title> (circulated by Independent Curators Incorporated, 1984); <title localtype="simple" render="italic">
<part>Fake</part>
</title> (The New Museum, 1987); and retrospectives of the work of artists May Stevens (New Museum, 1988), Edgar Franceschi (El Museo Del Barrio, 1988), and Janet Cooling (Beacon Street Gallery, Chicago, 1989). He wrote, as well, numerous exhibition and book reviews, and presented papers at academic institutions and conferences on the topics of French painting, new media, photography, and postmodern theory. Particularly interested the work of women and other marginalized artists, Olander often incorporated social and political statements, performance art, video, film, and photography into his exhibition programs.</p>
<p>William Olander is probably best remembered for his activist work within the art world, particularly for his invitation to the collectivist organization ACT UP/NY (AIDS Coalition to Unleash Power, New York) to fill the main show window of the New Museum's building at 583 Broadway. Unveiled on November 20, 1987, the landmark installation is known as "Let the Record Show…," after Olander's statement in the accompanying brochure: "Let the record show that there are many in the community of art and artists who chose not to be silent in the 1980s." The display incorporated a bold neon sign stating "SILENCE = DEATH," which brought the group's slogan to a wider public awareness.</p>
</bioghist>
<scopecontent id="aspace_c0c8fa34bdbacdb400fe086ee5fdb634">
<head>Scope and Contents</head>
<p>The Christopher Cox Papers consists of the writings, correspondence files, and personal papers of the writer, director, and producer Christopher Cox, and of his partner, the art historian William Olander. A typed list titled "File Cabinets (Drawers Needed)," now in the Series III folder Miscellaneous notes (Box 23, Folder 402) suggests Cox's home office filing arrangement and takes into account a large part of the material now present in the collection: Cox's correspondence files; personal and family papers spanning his lifetime; his writings and theatrical work; and documentation of the positions he held with Virgil Thomson and the Joseph Jefferson Theatre Company. The list also reveals that what is not present in the collection are the accomplishments for which he is most noted: there are no files for his book <title localtype="simple" render="italic">
<part>A Key West Companion</part>
</title> (1983); there only two examples of his published articles; and there is little evidence of his career as a photographer beyond a folder of photo orders (Box 10, Folder 205) and the credited images that appear in publications of authors such as Edmund White. However, with its highly descriptive homoerotic writings and visual material, the collection is a rich primary source for chronicling gay culture, lifestyles, and literature in New York during the 1970s and 1980s, as well as Off Off-Broadway theatre in the 1970s.</p>
<p>Perhaps as a holdover from his time as a secretary to Virgil Thomson, Cox kept most of his papers neatly filed in manila folders, many with typed paper labels. This is particularly true for the pre-1983 material; for years afterward, most of the papers and correspondence were not in any discernable order, and were not received in file folders. For the most part, Cox's file titles have been retained, though the current series arrangement was instituted when the collection was processed in 2007.</p>
</scopecontent>
<arrangement id="aspace_33e875d00ab95af2740deae768afb069">
<head>Arrangement</head>
<p>The collection is organized into eight series: Series I. Correspondence (1963-1990, undated); Series II. Creative Work (1969-1989, undated); Series III. Personal Papers (1935-1990, undated); Series IV. Virgil Thomson Files (1947-1984, undated); Series V. Joseph Jefferson Theatre Company Files (1965-1978, undated); Series VI. Subject Files (1927-1989, undated); Series VII. Writings of Others (circa 1949-1987, undated); and Series VIII. William Olander Papers (1968-1989, undated).</p>
</arrangement>
<controlaccess>
<subject identifier="http://id.loc.gov/authorities/subjects/sh85004320"
source="lcsh">
<part localtype="topical">American fiction</part>
<part localtype="temporal">20th Century</part>
</subject>
<subject source="local">
<part localtype="topical">Authors, American</part>
<part localtype="temporal">20th Century</part>
<part localtype="genre_form">Archives</part>
</subject>
<subject identifier="http://id.loc.gov/authorities/subjects/sh2008105062"
source="lcsh">
<part localtype="topical">Gay men</part>
<part localtype="genre_form">Fiction</part>
</subject>
<subject identifier="http://id.loc.gov/authorities/subjects/sh2008105070"
source="lcsh">
<part localtype="topical">Gay men</part>
<part localtype="topical">Sexual behavior</part>
</subject>
<subject identifier="http://id.loc.gov/authorities/subjects/sh2003004887"
source="lcsh">
<part localtype="topical">Gay men</part>
<part localtype="geographic">United States</part>
</subject>
<subject identifier="http://id.loc.gov/authorities/subjects/sh92006125"
source="lcsh">
<part localtype="topical">Gay men's writings, American</part>
</subject>
<subject identifier="http://id.loc.gov/authorities/subjects/sh85120740"
source="lcsh">
<part localtype="topical">Sadomasochism</part>
</subject>
<subject source="local">
<part localtype="topical">Sex</part>
<part localtype="geographic">New York (State)</part>
</subject>
<subject identifier="http://id.loc.gov/authorities/subjects/sh2003007919"
source="lcsh">
<part localtype="topical">Violet Quill (Group of writers)</part>
</subject>
<geogname source="local">
<part localtype="geographic">Amazon River</part>
<part localtype="topical">Description and travel</part>
</geogname>
<geogname identifier="http://id.loc.gov/authorities/subjects/sh85069398"
source="lcsh">
<part localtype="geographic">Japan</part>
<part localtype="topical">Description and travel</part>
</geogname>
<genreform identifier="http://vocab.getty.edu/aat/300028045" source="aat">
<part localtype="genre_form">Audiovisual materials</part>
</genreform>
<genreform identifier="http://vocab.getty.edu/aat/300374824" source="aat">
<part localtype="genre_form">Born digital</part>
</genreform>
<genreform source="local">
<part localtype="genre_form">Diaries</part>
<part localtype="geographic">United States</part>
<part localtype="geographic">New York</part>
</genreform>
<genreform identifier="http://vocab.getty.edu/aat/300266679" source="aat">
<part localtype="genre_form">Electronic documents</part>
</genreform>
<genreform source="local">
<part localtype="genre_form">Guidebooks</part>
</genreform>
<genreform source="local">
<part localtype="genre_form">Money</part>
</genreform>
<genreform identifier="http://vocab.getty.edu/aat/300026487" source="aat">
<part localtype="genre_form">Scripts (documents)</part>
</genreform>
<genreform identifier="http://vocab.getty.edu/aat/300028633" source="aat">
<part localtype="genre_form">Sound recordings</part>
</genreform>
<genreform source="local">
<part localtype="genre_form">Theatre programs</part>
<part localtype="geographic">United States</part>
<part localtype="geographic">New York</part>
</genreform>
<occupation identifier="http://id.loc.gov/authorities/subjects/sh85009793"
source="lcsh">
<part localtype="occupation">Authors</part>
</occupation>
<occupation source="local">
<part localtype="occupation">Museum curators</part>
</occupation>
<subject source="local">
<part localtype="topical">LGBTQ resource</part>
</subject>
<persname rules="aacr">
<part localtype="agent_person">Busby, Gerald</part>
</persname>
<persname>
<part localtype="agent_person">Copland, Aaron, 1900-1990</part>
</persname>
<persname rules="aacr">
<part localtype="agent_person">Corn, Alfred, 1943-</part>
</persname>
<persname rules="aacr">
<part localtype="agent_person">Cox, Christopher, 1949-1990</part>
</persname>
<persname>
<part localtype="agent_person">Dowell, Coleman, 1925-</part>
</persname>
<persname rules="aacr">
<part localtype="agent_person">Grosser, Maurice, 1903-1986</part>
</persname>
<persname>
<part localtype="agent_person">McClatchy, J. D., 1945-2018</part>
</persname>
<persname rules="aacr">
<part localtype="agent_person">Morris, George, 1943-</part>
</persname>
<persname>
<part localtype="agent_person">Nabokov, Nicolas, 1903-1978</part>
</persname>
<persname rules="aacr">
<part localtype="agent_person">Olander, William</part>
</persname>
<persname>
<part localtype="agent_person">Stein, Gertrude, 1874-1946</part>
</persname>
<persname>
<part localtype="agent_person">Thomson, Virgil, 1896-1989</part>
</persname>
<persname rules="aacr">
<part localtype="agent_person">Toklas, Alice B., 1877-1967</part>
</persname>
<persname>
<part localtype="agent_person">White, Edmund, 1940-</part>
</persname>
<persname>
<part localtype="agent_person">Yonemoto, Bruce, 1949-</part>
</persname>
<persname>
<part localtype="agent_person">Yonemoto, Norman, 1946-2014</part>
</persname>
<famname rules="aacr">
<part localtype="agent_family">Cox family</part>
</famname>
<corpname rules="aacr">
<part localtype="agent_corporate_entity">Joseph Jefferson Theatre Company</part>
</corpname>
</controlaccess>
<dsc>
<c altrender="/repositories/11/archival_objects/566836"
id="ref12"
level="series">
<did>
<unittitle>Correspondence</unittitle>
<unitid>Series I</unitid>
<physdescstructured coverage="whole" physdescstructuredtype="spaceoccupied">
<quantity>4.17</quantity>
<unittype>Linear Feet</unittype>
</physdescstructured>
<physdesc localtype="container_summary">10 boxes</physdesc>
<unitdatestructured altrender="1963-1990, undated"
label="creation"
unitdatetype="inclusive">
<daterange>
<fromdate standarddate="1963">1963</fromdate>
<todate standarddate="1990">1990</todate>
</daterange>
</unitdatestructured>
</did>
<arrangement id="aspace_060defd314be3f0ff326d645b5b7b134">
<head>Arrangement</head>
<p>Arranged alphabetically, followed by general correspondence filed chronologically.</p>
</arrangement>
<scopecontent id="aspace_6d0714f3e20f382a6033ad29c9f95e74">
<head>Scope and Contents</head>
<p>Series I. holds letters, both personal and professional, from friends, colleagues, and lovers. It is arranged alphabetically by correspondent, with set of chronologically arranged single letters grouped at the end. There are multiple folders for three of Cox's former lovers, Bob McDonald, George Morris, and Edmund White, and within them are also a few outgoing letters (some just drafts) from Cox. The letters in Series I were primarily sent to Cox, but in the late 1970s, many were addressed both to Cox and White as a couple. Additional letters to Cox appear in other series in the collection: Series III Personal Papers holds all material, including correspondence, connected to Cox's family, and there are a few letters filed in with his "Journal Notes" in Box 21; letters to and from Virgil Thomson are filed in Series IV; and correspondence relating to Cox's work with the Joseph Jefferson Theatre Company is filed in Series V.</p>
<p>There are some business letters, both to and from Cox and his employers, in the series, though most of the letters are personal in nature. Many of his colleagues at periodicals and publishers, such as the editor Ashton Applewhite, remained in contact with him after their professional involvements ended, and it is clear from their letters they were fond of him even when they could not assist him professionally. Generally speaking, the correspondents were connected to Cox through his publishing and theatre ventures, though some were very intimate friends and acquaintances and their letters, such as those written by Kenneth Locklear, an inmate in a North Carolina prison, contain explicit sexual suggestions and descriptions. At the other end of the scale is the folder for E.P. Dutton, which holds a long strip of paper on which his officemates wrote farewell notes when Cox left the company in September 1983.</p>
<p>In addition to Virgil Thomson, Cox also worked briefly for Nicholas Nabokov just before the composer's death. His folder holds letters from Nabokov to others. Most of the letters have a draft in Cox's hand (likely a dictation) with a typed carbon; there is one draft in Nabokov's hand.</p>
<p>The four folders of letters from George Morris were mostly written during the summer of 1977, when he was living in New York City and Cox was in Paris with Virgil Thomson. A native Texan, Morris (born in 1943, died of AIDS in 1989) reviewed films for the <title localtype="simple" render="italic">
<part>Village Voice</part>
</title>, among other publications, but eventually settled in Austin and became an influential critic, mentor, and leader in that city's film community. His letters to Cox functioned as almost daily reports and closely document Morris's activities in New York, including accounts of his movie-going experiences.</p>
<p>There are several folders of papers relating to Edmund White that include both correspondence and some of his writings. The first has letters to Cox, with a few from Cox filed in. The second holds letters written specifically to and from White and John Barth, Joyce Baronio, Kay Boyle, Alfred Corn, and Vera Nabokov, dating from 1978-1979. Cox kept all White's letters and writings together, as opposed to separating the letters and writings of other authors, most likely because his relationship with White was so deeply personal and meaningful. That arrangement has been retained here. One folder with White's miscellaneous writings has a photocopy of the typescript of his essay "Nabokov: Beyond Parody" (1983), a manuscript of an untitled essay on Roland Barthes, a carbon typescript of a review of Ivan Morris's book <title localtype="simple" render="italic">
<part>The Nobility of Failure</part>
</title> (1975), and an edited carbon typescript of the first chapter of his novel, <title localtype="simple" render="italic">
<part>A Boy's Own Story</part>
</title> (1982). The two folders for White's books have reviews, dust jackets, invitations, and profiles of the author, which also include photographs of White taken by Christopher Cox. Reviews for <title localtype="simple" render="italic">
<part>Nocturnes for the King of Naples</part>
</title> include a letter from Cox to the editor of <title localtype="simple" render="italic">
<part>The Advocate</part>
</title> disputing a poor review the book received from the paper's literary critic.</p>
<p>At the end of the series is miscellaneous correspondence, such as cards, letters, and mass mailings, that were kept by Cox in a set of files that he had created and labeled "General Correspondence," "Employment," and "Photography." These chronological files hold single letters, notes, and birthday and holiday cards from friends and colleagues (those from his family are filed in Series III, Personal Papers with other family correspondence). During processing, additional files were created to separate out mass mailings sent to Cox from organizations of which he was a member, such as the New York City Ballet, or where his name appeared on a distribution list, such as commercial art galleries and clubs.</p>
</scopecontent>
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<did>
<unittitle>Actors' Equity Association</unittitle>
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<fromdate standarddate="1970">1970</fromdate>
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<c altrender="/repositories/11/archival_objects/566838"
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<did>
<unittitle>
<title localtype="simple" render="italic">
<part>The Advocate</part>
</title>
</unittitle>
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<daterange>
<fromdate standarddate="1978">1978</fromdate>
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</did>
</c>
<c altrender="/repositories/11/archival_objects/566839"
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level="file">
<did>
<unittitle>Alabama Inaugural Committee</unittitle>
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<datesingle standarddate="1969">1969</datesingle>
</unitdatestructured>
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<container id="aspace_ref16_c2" localtype="folder" parent="aspace_ref16_c1">3</container>
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</c>
<c altrender="/repositories/11/archival_objects/566840"
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level="file">
<did>
<unittitle>Alfred A. Knopf Incorporated</unittitle>
<unitdatestructured altrender="1979-1984" label="creation" unitdatetype="inclusive">
<daterange>
<fromdate standarddate="1979">1979</fromdate>
<todate standarddate="1984">1984</todate>
</daterange>
</unitdatestructured>
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<c altrender="/repositories/11/archival_objects/566841"
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level="file">
<did>
<unittitle>Altman, Leonard</unittitle>
<unitdatestructured altrender="1977-1978, undated"
label="creation"
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<fromdate standarddate="1977">1977</fromdate>
<todate standarddate="1978">1978</todate>
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<container id="aspace_ref18_c2" localtype="folder" parent="aspace_ref18_c1">5</container>
</did>
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<c altrender="/repositories/11/archival_objects/566842"
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<did>
<unittitle>American Poetry Review</unittitle>
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<datesingle standarddate="1980">1980</datesingle>
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<container id="aspace_ref19_c2" localtype="folder" parent="aspace_ref19_c1">6</container>
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</c>
<c altrender="/repositories/11/archival_objects/566843"
id="ref20"
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<did>
<unittitle>Anderson, Dennis</unittitle>
<unitdatestructured altrender="1973-1975, undated"
label="creation"
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<daterange>
<fromdate standarddate="1973">1973</fromdate>
<todate standarddate="1975">1975</todate>
</daterange>
</unitdatestructured>
<container altrender="/repositories/11/top_containers/69343 /locations/9"
containerid="39002099422181"
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<container id="aspace_ref20_c2" localtype="folder" parent="aspace_ref20_c1">7</container>
</did>
</c>
<c altrender="/repositories/11/archival_objects/566844"
id="ref21"
level="file">
<did>
<unittitle>Andre Deutsch</unittitle>
<unitdatestructured altrender="1980" label="creation" unitdatetype="inclusive">
<datesingle standarddate="1980">1980</datesingle>
</unitdatestructured>
<container altrender="/repositories/11/top_containers/69343 /locations/9"
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localtype="box">1</container>
<container id="aspace_ref21_c2" localtype="folder" parent="aspace_ref21_c1">8</container>
</did>
</c>
<c altrender="/repositories/11/archival_objects/566845"
id="ref22"
level="file">
<did>
<unittitle>
<title localtype="simple" render="italic">
<part>Aperture</part>
</title>
</unittitle>
<unitdatestructured altrender="1979-1981" label="creation" unitdatetype="inclusive">
<daterange>
<fromdate standarddate="1979">1979</fromdate>
<todate standarddate="1981">1981</todate>
</daterange>
</unitdatestructured>
<container altrender="/repositories/11/top_containers/69343 /locations/9"
containerid="39002099422181"
id="aspace_ref22_c1"
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localtype="box">1</container>
<container id="aspace_ref22_c2" localtype="folder" parent="aspace_ref22_c1">9</container>
</did>
</c>
<c altrender="/repositories/11/archival_objects/566846"
id="ref23"
level="file">
<did>
<unittitle>Applewhite, Ashton</unittitle>
<unitdatestructured altrender="1981-1988" label="creation" unitdatetype="inclusive">
<daterange>
<fromdate standarddate="1981">1981</fromdate>
<todate standarddate="1988">1988</todate>
</daterange>
</unitdatestructured>
<container altrender="/repositories/11/top_containers/69343 /locations/9"
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<container id="aspace_ref23_c2" localtype="folder" parent="aspace_ref23_c1">10</container>
</did>
<relatedmaterial id="aspace_1a2f132394362a86acc305cb28b9d14a">
<head>Related Archival Materials note</head>
<p>See also: <ref target="ref170">St. Martin's Press</ref>
</p>
</relatedmaterial>
</c>
<c altrender="/repositories/11/archival_objects/566847"
id="ref25"
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<did>
<unittitle>Artists' TV Lab</unittitle>
<unitdatestructured altrender="1977-1978" label="creation" unitdatetype="inclusive">
<daterange>
<fromdate standarddate="1977">1977</fromdate>
<todate standarddate="1978">1978</todate>
</daterange>
</unitdatestructured>
<container altrender="/repositories/11/top_containers/69343 /locations/9"
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<container id="aspace_ref25_c2" localtype="folder" parent="aspace_ref25_c1">11</container>
</did>
</c>
<c altrender="/repositories/11/archival_objects/566848"
id="ref26"
level="file">
<did>
<unittitle>Avedon, Richard</unittitle>
<unitdatestructured altrender="1978" label="creation" unitdatetype="inclusive">
<datesingle standarddate="1978">1978</datesingle>
</unitdatestructured>
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<container id="aspace_ref26_c2" localtype="folder" parent="aspace_ref26_c1">12</container>
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</c>
<c altrender="/repositories/11/archival_objects/566849"
id="ref27"
level="file">
<did>
<unittitle>Averill, Brett</unittitle>
<unitdatestructured altrender="1984" label="creation" unitdatetype="inclusive">
<datesingle standarddate="1984">1984</datesingle>
</unitdatestructured>
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<container id="aspace_ref27_c2" localtype="folder" parent="aspace_ref27_c1">13</container>
</did>
</c>
<c altrender="/repositories/11/archival_objects/566850"
id="ref28"
level="file">
<did>
<unittitle>Barker, Fran</unittitle>
<unitdatestructured altrender="1967-1973" label="creation" unitdatetype="inclusive">
<daterange>
<fromdate standarddate="1967">1967</fromdate>
<todate standarddate="1973">1973</todate>
</daterange>
</unitdatestructured>
<container altrender="/repositories/11/top_containers/69343 /locations/9"
containerid="39002099422181"
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localtype="box">1</container>
<container id="aspace_ref28_c2" localtype="folder" parent="aspace_ref28_c1">14</container>
</did>
</c>
<c altrender="/repositories/11/archival_objects/566851"
id="ref29"
level="file">
<did>
<unittitle>Baronio, Joyce</unittitle>
<unitdatestructured altrender="1980, undated" label="creation" unitdatetype="inclusive">
<datesingle standarddate="1980">1980, undated</datesingle>
</unitdatestructured>
<container altrender="/repositories/11/top_containers/69343 /locations/9"
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<container id="aspace_ref29_c2" localtype="folder" parent="aspace_ref29_c1">15</container>
</did>
</c>
<c altrender="/repositories/11/archival_objects/566852"
id="ref30"
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<did>
<unittitle>Beil, Steven R.</unittitle>
<unitdatestructured altrender="1968-1975, undated"
label="creation"
unitdatetype="inclusive">
<daterange>
<fromdate standarddate="1968">1968</fromdate>
<todate standarddate="1975">1975</todate>
</daterange>
</unitdatestructured>
<container altrender="/repositories/11/top_containers/69343 /locations/9"
containerid="39002099422181"
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<container id="aspace_ref30_c2" localtype="folder" parent="aspace_ref30_c1">16</container>
</did>
</c>
<c altrender="/repositories/11/archival_objects/566853"
id="ref31"
level="file">
<did>
<unittitle>Bettis Schmidt, Valerie</unittitle>
<unitdatestructured altrender="1974, undated" label="creation" unitdatetype="inclusive">
<datesingle standarddate="1974">1974, undated</datesingle>
</unitdatestructured>
<container altrender="/repositories/11/top_containers/69343 /locations/9"
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<container id="aspace_ref31_c2" localtype="folder" parent="aspace_ref31_c1">17</container>
</did>
</c>
<c altrender="/repositories/11/archival_objects/566854"
id="ref32"
level="file">
<did>
<unittitle>Bietrix, Bernard</unittitle>
<unitdatestructured altrender="1965-1966" label="creation" unitdatetype="inclusive">
<daterange>
<fromdate standarddate="1965">1965</fromdate>
<todate standarddate="1966">1966</todate>
</daterange>
</unitdatestructured>
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<container id="aspace_ref32_c2" localtype="folder" parent="aspace_ref32_c1">18</container>
</did>
</c>
<c altrender="/repositories/11/archival_objects/566855"
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level="file">
<did>
<unittitle>Bishop, Robert</unittitle>
</did>
<relatedmaterial id="aspace_55cfa09d48a694dd92bb454788b3e31a">
<head>Related Archival Materials note</head>
<p>See: <ref target="ref73">Engel, Lehman</ref>
</p>
</relatedmaterial>
</c>
<c altrender="/repositories/11/archival_objects/566856"
id="ref35"
level="file">
<did>
<unittitle>
<title localtype="simple" render="italic">
<part>Book Digest</part>
</title>
</unittitle>
<unitdatestructured altrender="1979-1980" label="creation" unitdatetype="inclusive">
<daterange>
<fromdate standarddate="1979">1979</fromdate>
<todate standarddate="1980">1980</todate>
</daterange>
</unitdatestructured>
<container altrender="/repositories/11/top_containers/69343 /locations/9"
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<unittitle>Busby, Gerald</unittitle>
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<head>Related Archival Materials note</head>
<p>See: <ref target="ref40">Busby, Gerald</ref>
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<unittitle>Copland, Aaron</unittitle>
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