-
Notifications
You must be signed in to change notification settings - Fork 3
/
Copy path1465.xml
7212 lines (7212 loc) · 409 KB
/
1465.xml
1
2
3
4
5
6
7
8
9
10
11
12
13
14
15
16
17
18
19
20
21
22
23
24
25
26
27
28
29
30
31
32
33
34
35
36
37
38
39
40
41
42
43
44
45
46
47
48
49
50
51
52
53
54
55
56
57
58
59
60
61
62
63
64
65
66
67
68
69
70
71
72
73
74
75
76
77
78
79
80
81
82
83
84
85
86
87
88
89
90
91
92
93
94
95
96
97
98
99
100
101
102
103
104
105
106
107
108
109
110
111
112
113
114
115
116
117
118
119
120
121
122
123
124
125
126
127
128
129
130
131
132
133
134
135
136
137
138
139
140
141
142
143
144
145
146
147
148
149
150
151
152
153
154
155
156
157
158
159
160
161
162
163
164
165
166
167
168
169
170
171
172
173
174
175
176
177
178
179
180
181
182
183
184
185
186
187
188
189
190
191
192
193
194
195
196
197
198
199
200
201
202
203
204
205
206
207
208
209
210
211
212
213
214
215
216
217
218
219
220
221
222
223
224
225
226
227
228
229
230
231
232
233
234
235
236
237
238
239
240
241
242
243
244
245
246
247
248
249
250
251
252
253
254
255
256
257
258
259
260
261
262
263
264
265
266
267
268
269
270
271
272
273
274
275
276
277
278
279
280
281
282
283
284
285
286
287
288
289
290
291
292
293
294
295
296
297
298
299
300
301
302
303
304
305
306
307
308
309
310
311
312
313
314
315
316
317
318
319
320
321
322
323
324
325
326
327
328
329
330
331
332
333
334
335
336
337
338
339
340
341
342
343
344
345
346
347
348
349
350
351
352
353
354
355
356
357
358
359
360
361
362
363
364
365
366
367
368
369
370
371
372
373
374
375
376
377
378
379
380
381
382
383
384
385
386
387
388
389
390
391
392
393
394
395
396
397
398
399
400
401
402
403
404
405
406
407
408
409
410
411
412
413
414
415
416
417
418
419
420
421
422
423
424
425
426
427
428
429
430
431
432
433
434
435
436
437
438
439
440
441
442
443
444
445
446
447
448
449
450
451
452
453
454
455
456
457
458
459
460
461
462
463
464
465
466
467
468
469
470
471
472
473
474
475
476
477
478
479
480
481
482
483
484
485
486
487
488
489
490
491
492
493
494
495
496
497
498
499
500
501
502
503
504
505
506
507
508
509
510
511
512
513
514
515
516
517
518
519
520
521
522
523
524
525
526
527
528
529
530
531
532
533
534
535
536
537
538
539
540
541
542
543
544
545
546
547
548
549
550
551
552
553
554
555
556
557
558
559
560
561
562
563
564
565
566
567
568
569
570
571
572
573
574
575
576
577
578
579
580
581
582
583
584
585
586
587
588
589
590
591
592
593
594
595
596
597
598
599
600
601
602
603
604
605
606
607
608
609
610
611
612
613
614
615
616
617
618
619
620
621
622
623
624
625
626
627
628
629
630
631
632
633
634
635
636
637
638
639
640
641
642
643
644
645
646
647
648
649
650
651
652
653
654
655
656
657
658
659
660
661
662
663
664
665
666
667
668
669
670
671
672
673
674
675
676
677
678
679
680
681
682
683
684
685
686
687
688
689
690
691
692
693
694
695
696
697
698
699
700
701
702
703
704
705
706
707
708
709
710
711
712
713
714
715
716
717
718
719
720
721
722
723
724
725
726
727
728
729
730
731
732
733
734
735
736
737
738
739
740
741
742
743
744
745
746
747
748
749
750
751
752
753
754
755
756
757
758
759
760
761
762
763
764
765
766
767
768
769
770
771
772
773
774
775
776
777
778
779
780
781
782
783
784
785
786
787
788
789
790
791
792
793
794
795
796
797
798
799
800
801
802
803
804
805
806
807
808
809
810
811
812
813
814
815
816
817
818
819
820
821
822
823
824
825
826
827
828
829
830
831
832
833
834
835
836
837
838
839
840
841
842
843
844
845
846
847
848
849
850
851
852
853
854
855
856
857
858
859
860
861
862
863
864
865
866
867
868
869
870
871
872
873
874
875
876
877
878
879
880
881
882
883
884
885
886
887
888
889
890
891
892
893
894
895
896
897
898
899
900
901
902
903
904
905
906
907
908
909
910
911
912
913
914
915
916
917
918
919
920
921
922
923
924
925
926
927
928
929
930
931
932
933
934
935
936
937
938
939
940
941
942
943
944
945
946
947
948
949
950
951
952
953
954
955
956
957
958
959
960
961
962
963
964
965
966
967
968
969
970
971
972
973
974
975
976
977
978
979
980
981
982
983
984
985
986
987
988
989
990
991
992
993
994
995
996
997
998
999
1000
<?xml version="1.0" encoding="UTF-8"?>
<?xml-model href="https://raw.githubusercontent.com/YaleArchivesSpace/EAD3-to-PDF-UA/master/ead3-yale.sch" type="application/xml" schematypens="http://purl.oclc.org/dsdl/schematron"?>
<?xml-model href="https://raw.githubusercontent.com/SAA-SDT/EAD3/master/ead3.rng"
type="application/xml" schematypens="http://relaxng.org/ns/structure/1.0"?>
<ead xmlns="http://ead3.archivists.org/schema/">
<control countryencoding="iso3166-1"
dateencoding="iso8601"
langencoding="iso639-2b"
relatedencoding="marc"
repositoryencoding="iso15511"
scriptencoding="iso15924">
<recordid instanceurl="https://hdl.handle.net/10079/fa/beinecke.jones">beinecke.jones</recordid>
<otherrecordid localtype="BIB">3248818</otherrecordid>
<filedesc>
<titlestmt>
<titleproper>Guide to the James Jones Papers
</titleproper>
<titleproper localtype="filing">Jones (James) Papers</titleproper>
<author>by Tina Evans</author>
</titlestmt>
<publicationstmt>
<publisher>Beinecke Rare Book and Manuscript Library</publisher>
<address>
<addressline>P. O. Box 208330</addressline>
<addressline>New Haven, CT 06520-8330</addressline>
<addressline localtype="telephone">(203) 432-2977 </addressline>
<addressline localtype="email">[email protected]</addressline>
<addressline>
<ref href="http://beinecke.library.yale.edu/"
linktitle="http://beinecke.library.yale.edu/"
show="new">http://beinecke.library.yale.edu/</ref>
</addressline>
</address>
<date>April 1986</date>
<num>YCAL MSS 23</num>
</publicationstmt>
<notestmt>
<controlnote>
<p>This finding aid, which is compliant with the Yale EAD Best Practice Guidelines, Version 1.0., has a MARC record in Yale's ILS with the following bib number: <num localtype="Orbis-bib">3248818</num>.</p>
</controlnote>
<controlnote localtype="offsite">
<p>Boxes: 1-43</p>
</controlnote>
<controlnote localtype="digital">
<p>This collection contains <num localtype="objects" altrender="37">37</num> published digital objects. And those objects are comprised of <num localtype="files" altrender="626">626</num> digital files.</p>
</controlnote>
</notestmt>
</filedesc>
<maintenancestatus value="derived"/>
<maintenanceagency countrycode="US">
<agencycode>US-CtY-BR</agencycode>
<agencyname>Beinecke Rare Book and Manuscript Library</agencyname>
</maintenanceagency>
<languagedeclaration>
<language langcode="eng">English</language>
<script scriptcode="Latn">Latin</script>
<descriptivenote>
<p>Finding aid written in English.</p>
</descriptivenote>
</languagedeclaration>
<conventiondeclaration>
<abbr>beinecke manuscript unit archival processing manual</abbr>
<citation>translation missing: en.enumerations.resource_finding_aid_description_rules.beinecke manuscript unit archival processing manual</citation>
</conventiondeclaration>
<rightsdeclaration>
<abbr>CC0</abbr>
<citation href="https://creativecommons.org/publicdomain/zero/1.0/"/>
<descriptivenote>
<p>Finding aid description and metadata in Archives at Yale are licensed under a CC0 1.0 Universal (CC0 1.0) Public Domain Dedication. This means that anyone may copy, modify, and distribute this descriptive metadata without restriction or permission. The CC0 license is explained in full on the Creative Commons website: <ref href="https://creativecommons.org/publicdomain/zero/1.0/">CC0 1.0 Universal (CC0 1.0) Public Domain Dedication</ref>. More information is available on our <ref href="https://archives.yale.edu/help">Help page</ref>.</p>
</descriptivenote>
</rightsdeclaration>
<maintenancehistory>
<maintenanceevent>
<eventtype value="derived"/>
<eventdatetime>2025-01-09T01:05:05-05:00</eventdatetime>
<agenttype value="machine"/>
<agent>ArchivesSpace yale-rebased-v3.3.1</agent>
<eventdescription>This finding aid was produced using ArchivesSpace on Thursday January 9, 2025 at 01:05</eventdescription>
</maintenanceevent>
</maintenancehistory>
</control>
<archdesc altrender="/repositories/11/resources/1465" level="collection">
<did>
<unittitle>James Jones papers</unittitle>
<unitid>YCAL MSS 23</unitid>
<repository>
<corpname>
<part>Beinecke Rare Book and Manuscript Library</part>
</corpname>
</repository>
<langmaterial>
<language langcode="eng">English</language>
</langmaterial>
<physdescstructured coverage="whole" physdescstructuredtype="spaceoccupied">
<quantity>18.75</quantity>
<unittype>Linear Feet</unittype>
</physdescstructured>
<physdesc localtype="container_summary">43 boxes</physdesc>
<unitdatestructured altrender="1926-1977" label="creation" unitdatetype="inclusive">
<daterange>
<fromdate standarddate="1926">1926</fromdate>
<todate standarddate="1977">1977</todate>
</daterange>
</unitdatestructured>
<abstract id="aspace_432c821af3c883661c754c8a297278ff">The papers contain writings, correspondence, family papers, photographs, and printed works documenting the life and writing career of James Jones. Included among the writings are drafts of six published novels and one unpublished one, poetry, screenplays and short stories. The papers also provide documentation on his personal life, particularly during World War II, his early efforts to find a publisher for his works, and his long association with Harry and Lowney Handy.</abstract>
<origination label="Creator">
<persname rules="aacr">
<part localtype="agent_person">Jones, James, 1921-1977</part>
</persname>
</origination>
</did>
<acqinfo id="aspace_e82093ce401dd0ca0d9dc9e07f78786e">
<head>Immediate Source of Acquisition</head>
<p>The material was put on deposit in 1966 by James Jones and was donated to The Beinecke Rare Book and Manuscript Library by his widow, Gloria Jones, in 1984.</p>
</acqinfo>
<userestrict id="aspace_299d9b2e532d4d5f98463fb6c2eb6cf0">
<head>Conditions Governing Use</head>
<p>The James Jones Papers are the physical property of the Beinecke Rare Book and Manuscript Library, Yale University. Literary rights, including copyright, belong to the authors or their legal heirs and assigns. For further information, consult the appropriate curator.</p>
</userestrict>
<prefercite id="aspace_cc01e23b77f0437ea6957c99db45a08a">
<head>Preferred Citation</head>
<p>James Jones Papers. Yale Collection of American Literature, Beinecke Rare Book and Manuscript Library.</p>
</prefercite>
<accessrestrict id="aspace_1b354eb251cd4ea57bc108ca5eecc2e2">
<head>Conditions Governing Access</head>
<p>The materials are open for research.</p>
<p>Box 43: Restricted fragile material. Reference surrogates have been substituted in the main files. For further information consult the appropriate curator.</p>
</accessrestrict>
<bioghist id="aspace_12ef0d24f1e4975025c98051fbbd5b64">
<head>JAMES RAMON JONES (1921-1977)</head>
<p>James Ramon Jones was born in Robinson, Illinois, on November 6, 1921. After graduating from high school in 1939, he enlisted in the Army and was stationed in Hawaii, first at Hickham Field and then at Schofield Barracks. He was on guard duty when the Japanese attacked Pearl Harbor on December 7, 1941. Jones attended the University of Hawaii part-time, but his education was interrupted when his division was transferred to Guadalcanal in 1943. After being wounded he was shipped back to the United States and was discharged in 1944.</p>
<p>Jones lived with Harry and Lowney Handy in Robinson, Illinois, until 1945, when he moved to New York. He attended New York University for a semester. He met Maxwell Perkins and submitted the first draft of "They Shall Inherit the Laughter" to Charles Scribner's Sons. While Scribner's did not accept the manuscript, they did offer Jones an advance of $500.00 for a second novel, <title localtype="simple" render="italic">
<part>From Here to Eternity</part>
</title>. He returned to Illinois to live with the Handys while he wrote <title localtype="simple" render="italic">
<part>From Here to Eternity</part>
</title>. In 1948 <title localtype="simple" render="italic">
<part>The Atlantic</part>
</title> accepted Jones's short story "The Temper of Steel," his first published work. <title localtype="simple" render="italic">
<part>From Here to Eternity</part>
</title> was published in 1951 to much critical acclaim, receiving the National Book Award in 1952. In 1953, the film <title localtype="simple" render="italic">
<part>From Here to Eternity</part>
</title> was released and it too was a commercial success, winning six Academy awards.</p>
<p>Jones continued to live near the Handys in Marshall, Illinois, until 1957, when he married Gloria Patricia Mosolino. <title localtype="simple" render="italic">
<part>Some Came Running</part>
</title> was published in 1958. In that same year he sailed for Europe, settling in Paris where his daughter, Kaylie Ann, was born on August 5, 1960. He returned to the United States to make final revisions of <title localtype="simple" render="italic">
<part>The Thin Red Line</part>
</title> (1962) and to work as a consultant and writer for the film <title localtype="simple" render="italic">
<part>The Longest Day</part>
</title>. While vacationing in Jamaica in 1963, he began work on <title localtype="simple" render="italic">
<part>Go to the Widow-Maker</part>
</title> (1967). The publication of <title localtype="simple" render="italic">
<part>Go to the Widow-Maker</part>
</title> was followed by <title localtype="simple" render="italic">
<part>The Ice Cream Headache and other Stories</part>
</title> (1968), <title localtype="simple" render="italic">
<part>The Merry Month of May</part>
</title> (1971), <title localtype="simple" render="italic">
<part>A Touch of Danger</part>
</title> (1973), <title localtype="simple" render="italic">
<part>Viet Journal</part>
</title> (1974), and <title localtype="simple" render="italic">
<part>WWII</part>
</title> (1975).</p>
<p>Jones left Paris in 1974 to accept a position as visiting professor and writer in residence at Florida International University. He remained in Florida until 1975 when he moved to Sagaponack, Long Island. Despite failing health, he began work on his final book, <title localtype="simple" render="italic">
<part>Whistle</part>
</title> (1978), which was left incomplete at his death on May 9, 1977.</p>
</bioghist>
<scopecontent id="aspace_475584a9476b4508de6e06c617fc8224">
<head>Scope and Contents</head>
<p>The James Jones Papers document the life and career of the author of <title localtype="simple" render="italic">
<part>From Here to Eternity</part>
</title>. The papers span the dates 1926-1977, but the bulk of the material covers the years 1945-1977.</p>
<p>The collection has four series. Series I, <title localtype="simple" render="italic">
<part>Writings</part>
</title>, Boxes 1-33, is composed of manuscripts of published and unpublished works. Boxes 24-39 hold Series II, <title localtype="simple" render="italic">
<part>Correspondence</part>
</title>, and consist of Jones's correspondence with his publishers, literary agents, friends, and family. Series III, <title localtype="simple" render="italic">
<part>Family Papers</part>
</title>, located in Box 40, is comprised of personal papers and photographs. The last box contains Series IV, <title localtype="simple" render="italic">
<part>Printed Material</part>
</title>.</p>
<p>
<ref actuate="onrequest" show="replace" target="ref11">Series I, <title localtype="simple" render="italic">
<part>Writings</part>
</title>
</ref>, is divided into eight sections. There are no printed copies of Jones's full-length works, but a complete set of his published books is available in the Beinecke Library book collection. The first section, <title localtype="simple" render="italic">
<part>Novels</part>
</title>, is devoted to manuscripts. Jones's first book, "They Shall Inherit the Laughter" (Boxes 20-22, folders 198-233a), was never published. Fragments of <title localtype="simple" render="italic">
<part>From Here to Eternity</part>
</title>, (1951) are in Box 1, folders 1-18. In 1953 <title localtype="simple" render="italic">
<part>From Here to Eternity</part>
</title> was made into a movie and Jones was hired to write the screen treatment. He withdrew from the project because of disagreements with Harry Cohn of Columbia Pictures. The section <title localtype="simple" render="italic">
<part>Screenplays</part>
</title>, Box 28, folders 340-43, contains a copy of his preliminary film treatment and notes.</p>
<p>Jones began work on a lengthy third novel, <title localtype="simple" render="italic">
<part>Some Came Running</part>
</title> in 1950. Two typescripts, galley corrections, notes, and proofs can be found in Boxes 14-19, folders 121-97c. Like "They Shall Inherit the Laughter," <title localtype="simple" render="italic">
<part>Some Came Running</part>
</title> is autobiographical in nature. The book was published in 1958 to less than favorable reviews, but nonetheless earned a place on the bestseller lists. <title localtype="simple" render="italic">
<part>The Pistol</part>
</title> followed in 1959 (Box 13, folders 91-120). Much shorter than <title localtype="simple" render="italic">
<part>Some Came Running</part>
</title>, <title localtype="simple" render="italic">
<part>The Pistol</part>
</title> focuses on the life of a soldier at Schofield Barracks at the time of the Japanese attack on Pearl Harbor.</p>
<p>From 1958 to 1974 Jones lived in Paris with his family, making periodic trips to the United States. During his 1961 trip he made the final revisions of <title localtype="simple" render="italic">
<part>The Thin Red Line</part>
</title> (1962), the second book in his "World War II trilogy," the first being <title localtype="simple" render="italic">
<part>From Here to Eternity</part>
</title>. It has a Guadalcanal setting and follows the men of an infantry company almost identical to Jones's unit during World War II. Two typescripts, notes, and galley corrections can be found in Boxes 23-24, folders 234-53a. The third book of the trilogy, <title localtype="simple" render="italic">
<part>Whistle</part>
</title>, is not in the collection.</p>
<p>By 1964 Jones left Scribner's, having received a lucrative contract from Dell/Delacorte Books for three novels. The first of these was the "Underwater Novel," <title localtype="simple" render="italic">
<part>Go to the Widow-Maker</part>
</title>, which reflected his interest in skin diving and sailing and was again autobiographical in nature. In 1971 Jones published <title localtype="simple" render="italic">
<part>The Merry Month of May</part>
</title>, (Box 12, folders 86-90). Using Paris as a background, the novel is concerned with the student rebellion of 1968.</p>
<p>Section Two, <title localtype="simple" render="italic">
<part>Poetry</part>
</title>, can be found in Box 25, folders 254-316. The poems are arranged alphabetically by title. Much of Jones's writing during the period 1939-41 was confined to poetry and short stories. In his poetry, he frequently expressed his frustration with the Army and with women. Section Three, <title localtype="simple" render="italic">
<part>Notebooks</part>
</title>, consists of notebooks and diaries in which Jones recorded descriptions of people and experiences which could be used for novels. Also included in this section are examples of writing exercises assigned by Lowney Handy at the Handy Writing Colony.</p>
<p>
<title localtype="simple" render="italic">
<part>Screenplays</part>
</title> make up Section Four, (Boxes 28-30, folders 340-64) and are divided into screenplays by Jones and screenplays by others. Screenplays by Jones include an early draft for <title localtype="simple" render="italic">
<part>From Here to Eternity</part>
</title> and <title localtype="simple" render="italic">
<part>The Golfer Story</part>
</title>. Screenplays by others contain several drafts of <title localtype="simple" render="italic">
<part>Go to the Widow-Maker</part>
</title> by Thomas Wiseman, <title localtype="simple" render="italic">
<part>The Sicilians</part>
</title> by Auguste LeBreton, <title localtype="simple" render="italic">
<part>Un Mur De Jerusalem</part>
</title> by Frederick Rossif, and <title localtype="simple" render="italic">
<part>The Longest Day</part>
</title> by Cornelius Ryan. Jones acted as a technical advisor for this Darryl Zanuck film.</p>
<p>Section Five, <title localtype="simple" render="italic">
<part>Shorter Works</part>
</title>, is made up of essays, plays, and short stories, which are arranged alphabetically by title. The essays appear to have been written while Jones attended the University of Hawaii in 1942. Plays consists of one short work, <title localtype="simple" render="italic">
<part>All God's Chillun Ain't</part>
</title> (Box 31, folder 378). Short stories are contained in Boxes 31-33, folders 379-470, and make up the largest part of the <title localtype="simple" render="italic">
<part>Shorter Works</part>
</title> section. During the period 1945-47, Jones wrote primarily short stories. "None Sing So Wildly," "The Temper of Steel," and "The Way it is" were to evolve into the full-length unpublished novel, "They Shall Inherit the Laughter". The section also includes four of the five short stories Jones submitted to Edward Weeks of <title localtype="simple" render="italic">
<part>The Atlantic Monthly</part>
</title> in 1947, "Just Like the Girl," "The Temper of Steel," "Secondhand Man," and "The Way it is." Weeks accepted "The Temper of Steel" and it appeared in <title localtype="simple" render="italic">
<part>The Atlantic Monthly</part>
</title> in 1948. Later that year "The Temper of Steel" earned a nomination in the "Atlantic Monthly/MGM Awards for Atlantic Firsts" competition. These stories were eventually published in <title localtype="simple" render="italic">
<part>The Ice Cream Headache and Other Stories</part>
</title> (1968), the second book published under the Dell/Delacorte contract.</p>
<p>The last two sections of the <title localtype="simple" render="italic">
<part>Writings</part>
</title> series are very small. The <title localtype="simple" render="italic">
<part>Short Stories by Others</part>
</title> consists of an annotated typescript of "Or You Don't See Mama At All" by Lowney Handy. The <title localtype="simple" render="italic">
<part>Speeches</part>
</title> section is made up of several drafts of a speech Jones wrote for his friend Sargent Shriver in 1968.</p>
<p>
<ref actuate="onrequest" show="replace" target="ref215">Series II, <title localtype="simple" render="italic">
<part>Correspondence</part>
</title>
</ref>, is alphabetically arranged and is found in Boxes 34-39. The bulk of the letters document his early writing career, spanning the years 1939-59, and are both professional and personal in nature. Fan mail and correspondence of others can be found at the end of the series.</p>
<p>There is only one folder of correspondence between Jones and his first editor, Maxwell Perkins of Charles Scribner's Sons (Box 37, folder 548). Spanning the years 1945-47, the letters deal mainly with "They Shall Inherit the Laughter" and include a report from Scribner's concerning the book.</p>
<p>After Perkins's death in 1947, Jones choose to work with Burroughs "Mitch" Mitchell and they maintained a personal as well as professional relationship for many years. The letters span the years 1949-57 and describe the progress of <title localtype="simple" render="italic">
<part>From Here to Eternity</part>
</title>, the production of the film, his trip to New Mexico with Lowney Handy and Willard Lindsay, and plans to create a writers colony with Lowney and Harry Handy in Marshall, Illinois. Two folders of correspondence between Jones and Perkins's colleague John Hall Wheelock can be found in Box 37, folders 370-71. These letters detail Wheelock's response to <title localtype="simple" render="italic">
<part>From Here to Eternity</part>
</title>. There are also two folders of correspondence between the author and Charles Scribner's Sons dealing with general business matters.</p>
<p>While writing <title localtype="simple" render="italic">
<part>From Here to Eternity</part>
</title>, he attempted to sell his short stories. Correspondence from 1947-49 between Jones and Edward Weeks of <title localtype="simple" render="italic">
<part>The Atlantic Monthly</part>
</title> (Box 34, folders 477-78) concerns attempts to place five short stories and Jones's reaction to the publication of "The Temper of Steel" in 1948. The correspondence with <title localtype="simple" render="italic">
<part>Harper's Magazine</part>
</title> chronicles the acceptance of "The Way it is" and "Just Like the Girl," and the difficulties that arose when the editors attempted to make corrections in "The Way it is." There are also letters of rejection from <title localtype="simple" render="italic">
<part>Colliers</part>
</title> and <title localtype="simple" render="italic">
<part>Esquire</part>
</title> from the period 1947-48.</p>
<p>Although Jones did not rely upon literary agents, he did depend upon Ned Brown of MCA Artists Agency Ltd., to handle negotiations with Columbia Pictures concerning <title localtype="simple" render="italic">
<part>From Here to Eternity</part>
</title> (Box 36, folders 526-29). Ned Brown arranged for Jones to do a preliminary screen treatment, but the project was later turned over to Dan Taradash. He remained friendly, however, with Brown and discussed the possibility of a dramatization of the stockade scene in <title localtype="simple" render="italic">
<part>From Here to Eternity</part>
</title>, the choice of Montgomery Clift to play the part of Prewitt, and provided general news concerning the Handy Writing Colony. When the filming of <title localtype="simple" render="italic">
<part>From Here to Eternity</part>
</title> began, Brown arranged for Jones to work on a script for Norma Productions so that he could remain in Hollywood. There are also letters from Harry Cohn of Columbia Pictures detailing character development in the film and possible problems with the Army. In Box 34, folder 488 are two letters from Montgomery Clift.</p>
<p>A good deal can be learned about Jones's early life from his correspondence with family and friends. In Box 35, folders 512-19, are letters to and from brother George "Jeff" Jones. These letters began in 1939 when Jones first entered the Army and are full of details concerning military life, his classes at the University of Hawaii, and his attitude toward women. He would later draw upon these experiences to write <title localtype="simple" render="italic">
<part>From Here to Eternity</part>
</title>. Jones began writing both poetry and short stories during his enlistment and frequently discussed his work with Jeff, outlining his plans for a writing career early in 1943. There are no letters from the period between 1945 and 1949, although there are a few letters from 1950-51 in which <title localtype="simple" render="italic">
<part>From Here to Eternity</part>
</title> is discussed.</p>
<p>Correspondence with Aunt Mollie Haish dating back to 1926 can be found in Box 35, folders 499-502. Mollie Haish's letters provide a great deal of family news, particularly concerning Jones's younger sister Mary Ann. She also offered encouragement while he was writing <title localtype="simple" render="italic">
<part>From Here to Eternity</part>
</title>.</p>
<p>Harry and Lowney Handy played a very important part in Jones's life from 1943 until 1957. Early in 1943, when he was AWOL, Lowney Handy interceded with the Army and helped to arrange an honorable discharge. More importantly, she recognized his potential as a writer. For fourteen years she and her husband supported Jones financially and emotionally. While he wrote "They Shall Inherit the Laughter" and <title localtype="simple" render="italic">
<part>From Here to Eternity</part>
</title>, he traveled throughout the country in a jeep and trailer the Handys purchased for him. Harry Handy's correspondence, frequently addressed to both Jones and Lowney Handy, who often joined him in his travels, concerns insurance matters, home improvements, and money. Upon the completion of <title localtype="simple" render="italic">
<part>From Here to Eternity</part>
</title>, Jones returned to Illinois and assisted in the formation of the Handy Writing Colony in Marshall, Illinois. The letters from Lowney Handy cover the same subjects as those of her husband, although she also wrote in detail about other colony members such as Willard Lindsay and Don Sackrider. Jones corresponded with both Lindsay and Sackrider.</p>
<p>While in the service, James Jones maintained steady correspondence with several young women, including Margaret "Peggy" Carson, Barbara Van Dusen, and Virginia Moore. These letters are frequently romantic in nature but also chronicle military life and his thoughts on male and female relationships. While attending the University of Hawaii, he became acquainted with professors Laura Schwartz and Carl Stroven. They recognized his talent and encouraged him to write. He corresponded with both for some years after he left Hawaii.</p>
<p>Other correspondence of interest includes two letters from Upton Sinclair, correspondence from John P. Marquand, a letter from Norman Mailer concerning a deck of tarot cards, a postcard from William Styron, and correspondence from Darryl Zanuck. Three folders of fan mail give reader responses to <title localtype="simple" render="italic">
<part>From Here to Eternity</part>
</title>. Correspondence of others consists mainly of letters from Harry to Lowney Handy and letters from Lowney Handy to such individuals as Ruth and Maxwell Aley and Mary Ann Jones.</p>
<p>
<ref actuate="onrequest" show="replace" target="ref296">Series III, <title localtype="simple" render="italic">
<part>Family Papers</part>
</title>
</ref>, contains aqualung data, the contract for the English edition of <title localtype="simple" render="italic">
<part>From Here to Eternity</part>
</title>, memorabilia, newspaper clippings, and a voice recording made by Jones at the Empire State Building in 1939. Photographs make up the largest segment of the series. Included are photographs of Jones, his wife, and parents, Ramon and Ada Jones. There are also many photographs of Jones on vacation and photographs of unidentified people.</p>
<p>
<ref actuate="onrequest" show="replace" target="ref344">Series IV, <title localtype="simple" render="italic">
<part>Printed Works</part>
</title>
</ref>, consists of magazines and pamphlets collected by James and Gloria Jones.</p>
<p>Box 42 consists of <ref actuate="onrequest" show="replace" target="ref377">oversize</ref> material arranged in series order, including photographs of James and Gloria Jones and a copy of <title localtype="simple" render="italic">
<part>The Re-Enlistment Blues</part>
</title>.</p>
</scopecontent>
<controlaccess>
<subject identifier="http://id.loc.gov/authorities/subjects/sh85010023"
source="lcsh">
<part localtype="topical">Authors and publishers</part>
</subject>
<subject identifier="http://id.loc.gov/authorities/subjects/sh85013438"
source="lcsh">
<part localtype="topical">Best sellers</part>
</subject>
<subject identifier="http://id.loc.gov/authorities/subjects/sh85108871"
source="lcsh">
<part localtype="topical">Publishers and publishing</part>
</subject>
<subject identifier="http://id.loc.gov/authorities/subjects/sh85124582"
source="lcsh">
<part localtype="topical">Soldiers as authors</part>
</subject>
<subject identifier="http://id.loc.gov/authorities/subjects/sh2008113930"
source="lcsh">
<part localtype="topical">World War, 1939-1945</part>
<part localtype="topical">Campaigns</part>
<part localtype="geographic">Solomon Islands</part>
<part localtype="geographic">Guadalcanal</part>
</subject>
<subject identifier="http://id.loc.gov/authorities/subjects/sh2010119699"
source="lcsh">
<part localtype="topical">World War, 1939-1945</part>
<part localtype="geographic">Hawaii</part>
</subject>
<geogname source="local">
<part localtype="geographic">Marshall (Ill.)</part>
<part localtype="topical">Intellectual life</part>
</geogname>
<occupation identifier="http://id.loc.gov/authorities/subjects/sh85009793"
source="lcsh">
<part localtype="occupation">Authors</part>
</occupation>
<subject identifier="http://id.loc.gov/authorities/subjects/sh85124578"
source="lcsh">
<part localtype="topical">Soldiers</part>
<part localtype="geographic">United States</part>
</subject>
<persname rules="aacr" source="local">
<part localtype="agent_person">Aley, Maxwell</part>
</persname>
<persname rules="aacr">
<part localtype="agent_person">Aley, Ruth</part>
</persname>
<persname rules="aacr">
<part localtype="agent_person">Carson, Margaret</part>
</persname>
<persname source="local">
<part localtype="agent_person">Haish, Mollie</part>
</persname>
<persname rules="aacr">
<part localtype="agent_person">Handy, Harry</part>
</persname>
<persname rules="aacr">
<part localtype="agent_person">Handy, Lowney Turner</part>
</persname>
<persname rules="aacr" source="local">
<part localtype="agent_person">Jones, George, 1910-1976</part>
</persname>
<persname source="local">
<part localtype="agent_person">Jones, Gloria Patricia Masolino</part>
</persname>
<persname rules="aacr">
<part localtype="agent_person">Jones, James, 1921-1977</part>
</persname>
<persname source="local">
<part localtype="agent_person">Korn, Laura V. Schwartz</part>
</persname>
<persname source="local">
<part localtype="agent_person">Lindsay, Willard</part>
</persname>
<persname rules="aacr" source="local">
<part localtype="agent_person">Manges, Horace S.</part>
</persname>
<persname>
<part localtype="agent_person">Marquand, John P. (John Phillips), 1893-1960</part>
</persname>
<persname rules="aacr">
<part localtype="agent_person">Mitchell, Burroughs</part>
</persname>
<persname rules="aacr">
<part localtype="agent_person">Perkins, Maxwell E. (Maxwell Evarts), 1884-1947</part>
</persname>
<persname>
<part localtype="agent_person">Sinclair, Upton, 1878-1968</part>
</persname>
<persname source="local">
<part localtype="agent_person">Weeks, Edmund, 1898-</part>
</persname>
<persname source="local">
<part localtype="agent_person">Wheelock, John Hay, 1886-</part>
</persname>
<corpname>
<part localtype="agent_corporate_entity">United States. Army (Military life)</part>
</corpname>
<corpname source="local">
<part localtype="agent_corporate_entity">MCA Artists Ltd., Agency</part>
</corpname>
</controlaccess>
<dsc>
<c altrender="/repositories/11/archival_objects/560474"
id="ref11"
level="series">
<did>
<unittitle>Writings</unittitle>
<unitid>Series I</unitid>
<physdescstructured coverage="whole" physdescstructuredtype="spaceoccupied">
<quantity>14.5</quantity>
<unittype>Linear Feet</unittype>
</physdescstructured>
<physdesc localtype="container_summary">33 boxes</physdesc>
<unitdatestructured altrender="1939-69" label="creation" unitdatetype="inclusive">
<daterange>
<fromdate standarddate="1939">1939</fromdate>
<todate standarddate="1969">1969</todate>
</daterange>
</unitdatestructured>
</did>
<scopecontent id="aspace_5bf70c613042b2a332dc7aaa077ba16a">
<head>Scope and Contents</head>
<p>Series I contains thirty-three boxes of writings divided into eight subseries, including <title localtype="simple" render="italic">
<part>Novels</part>
</title>, <title localtype="simple" render="italic">
<part>Poetry</part>
</title>, <title localtype="simple" render="italic">
<part>Notebooks</part>
</title>, <title localtype="simple" render="italic">
<part>Screenplays</part>
</title>, and <title localtype="simple" render="italic">
<part>Shorter Works</part>
</title>. The material in each section has been arranged alphabetically by title.</p>
</scopecontent>
<c altrender="/repositories/11/archival_objects/560475"
id="ref13"
level="subseries">
<did>
<unittitle>NOVELS</unittitle>
</did>
<c altrender="/repositories/11/archival_objects/560476"
id="ref14"
level="subseries">
<did>
<unittitle>
<title localtype="simple" render="italic">
<part>From Here to Eternity</part>
</title>
</unittitle>
</did>
<c altrender="/repositories/11/archival_objects/560477"
id="ref15"
level="file">
<did>
<unittitle>Synopsis</unittitle>
<unitdatestructured altrender="1948-51" label="creation" unitdatetype="inclusive">
<daterange>
<fromdate standarddate="1948">1948</fromdate>
<todate standarddate="1951">1951</todate>
</daterange>
</unitdatestructured>
<container altrender="/repositories/11/top_containers/68888 /locations/9"
containerid="39002091431743"
id="aspace_ref15_c1"
label="Mixed Materials"
localtype="box">1</container>
<container id="aspace_ref15_c2" localtype="folder" parent="aspace_ref15_c1">1-2</container>
<daoset altrender="/repositories/11/digital_objects/230159">
<dao actuate="onrequest"
audience="external"
daotype="unknown"
href="https://collections.library.yale.edu/manifests/17063354"
identifier="oid:17063354"
linktitle="77 images"
linkrole="text-json"
show="embed"/>
<dao actuate="onrequest"
audience="external"
daotype="unknown"
href="https://collections.library.yale.edu/iiif/2/17063553/full/!150,150/0/default.jpg"
identifier="oid:17063354"
linktitle="77 images"
linkrole="image-thumbnail"
show="embed"/>
<dao actuate="onrequest"
audience="external"
daotype="unknown"
href="https://collections.library.yale.edu/catalog/17063354"
identifier="oid:17063354"
linktitle="77 images"
linkrole="text-html"
show="new"/>
<descriptivenote>
<p>Synopsis</p>
</descriptivenote>
</daoset>
</did>
</c>
<c altrender="/repositories/11/archival_objects/560478"
id="ref16"
level="file">
<did>
<unittitle>Chapters 1, 5, 9, 17, fragments</unittitle>
<unitdate label="creation" unitdatetype="inclusive">n.d.</unitdate>
<container altrender="/repositories/11/top_containers/68888 /locations/9"
containerid="39002091431743"
id="aspace_ref16_c1"
label="Mixed Materials"
localtype="box">1</container>
<container id="aspace_ref16_c2" localtype="folder" parent="aspace_ref16_c1">3</container>
<daoset altrender="/repositories/11/digital_objects/230136">
<dao actuate="onrequest"
audience="external"
daotype="unknown"
href="https://collections.library.yale.edu/manifests/17063355"
identifier="oid:17063355"
linktitle="10 images"
linkrole="text-json"
show="embed"/>
<dao actuate="onrequest"
audience="external"
daotype="unknown"
href="https://collections.library.yale.edu/iiif/2/17063630/full/!150,150/0/default.jpg"
identifier="oid:17063355"
linktitle="10 images"
linkrole="image-thumbnail"
show="embed"/>
<dao actuate="onrequest"
audience="external"
daotype="unknown"
href="https://collections.library.yale.edu/catalog/17063355"
identifier="oid:17063355"
linktitle="10 images"
linkrole="text-html"
show="new"/>
<descriptivenote>
<p>Chapters 1, 5, 9, 17, fragments</p>
</descriptivenote>
</daoset>
</did>
</c>
<c altrender="/repositories/11/archival_objects/560479"
id="ref17"
level="file">
<did>
<unittitle>Chapters 2, 6, 15, 20, typescript</unittitle>
<unitdate label="creation" unitdatetype="inclusive">n.d.</unitdate>
<container altrender="/repositories/11/top_containers/68888 /locations/9"
containerid="39002091431743"
id="aspace_ref17_c1"
label="Mixed Materials"
localtype="box">1</container>
<container id="aspace_ref17_c2" localtype="folder" parent="aspace_ref17_c1">4-7</container>
<daoset altrender="/repositories/11/digital_objects/230152">
<dao actuate="onrequest"
audience="external"
daotype="unknown"
href="https://collections.library.yale.edu/manifests/17063356"
identifier="oid:17063356"
linktitle="69 images"
linkrole="text-json"
show="embed"/>
<dao actuate="onrequest"
audience="external"
daotype="unknown"
href="https://collections.library.yale.edu/iiif/2/17063640/full/!150,150/0/default.jpg"
identifier="oid:17063356"
linktitle="69 images"
linkrole="image-thumbnail"
show="embed"/>
<dao actuate="onrequest"
audience="external"
daotype="unknown"
href="https://collections.library.yale.edu/catalog/17063356"
identifier="oid:17063356"
linktitle="69 images"
linkrole="text-html"
show="new"/>
<descriptivenote>
<p>Chapters 2, 6, 15, 20, typescript</p>
</descriptivenote>
</daoset>
</did>
</c>
<c altrender="/repositories/11/archival_objects/560480"
id="ref18"
level="file">
<did>
<unittitle>Character synopses</unittitle>
<unitdate label="creation" unitdatetype="inclusive">n.d.</unitdate>
<container altrender="/repositories/11/top_containers/68888 /locations/9"
containerid="39002091431743"
id="aspace_ref18_c1"
label="Mixed Materials"
localtype="box">1</container>
<container id="aspace_ref18_c2" localtype="folder" parent="aspace_ref18_c1">8-15</container>
<daoset altrender="/repositories/11/digital_objects/230172">
<dao actuate="onrequest"
audience="external"
daotype="unknown"
href="https://collections.library.yale.edu/manifests/17063357"
identifier="oid:17063357"
linktitle="200 images"
linkrole="text-json"
show="embed"/>
<dao actuate="onrequest"
audience="external"
daotype="unknown"
href="https://collections.library.yale.edu/iiif/2/17063709/full/!150,150/0/default.jpg"
identifier="oid:17063357"
linktitle="200 images"
linkrole="image-thumbnail"
show="embed"/>
<dao actuate="onrequest"
audience="external"
daotype="unknown"
href="https://collections.library.yale.edu/catalog/17063357"
identifier="oid:17063357"
linktitle="200 images"
linkrole="text-html"
show="new"/>
<descriptivenote>
<p>Character synopses</p>
</descriptivenote>
</daoset>
</did>
</c>
<c altrender="/repositories/11/archival_objects/560481"
id="ref19"
level="file">
<did>
<unittitle>Notes</unittitle>
<unitdate label="creation" unitdatetype="inclusive">n.d.</unitdate>
<container altrender="/repositories/11/top_containers/68888 /locations/9"
containerid="39002091431743"
id="aspace_ref19_c1"
label="Mixed Materials"
localtype="box">1</container>
<container id="aspace_ref19_c2" localtype="folder" parent="aspace_ref19_c1">15a-17</container>
</did>
</c>
<c altrender="/repositories/11/archival_objects/560482"
id="ref20"
level="file">
<did>
<unittitle>
<title localtype="simple" render="italic">
<part>This Man's Army</part>
</title>: review, typescript, unidentified author, <title localtype="simple" render="italic">
<part>The Atlantic</part>
</title>
</unittitle>
<unitdatestructured altrender="1951 Mar" label="creation" unitdatetype="inclusive">
<datesingle standarddate="1951-03">1951 Mar</datesingle>
</unitdatestructured>
<container altrender="/repositories/11/top_containers/68888 /locations/9"
containerid="39002091431743"
id="aspace_ref20_c1"
label="Mixed Materials"
localtype="box">1</container>
<container id="aspace_ref20_c2" localtype="folder" parent="aspace_ref20_c1">18</container>
</did>
<relatedmaterial id="aspace_5aa23e9f36827b27752eefe36b269093">
<head>Related Archival Materials note</head>
<p>
<ref actuate="onrequest" show="replace" target="ref379"> See also: Oversize, Box 42, folder 664 <title localtype="simple" render="italic">
<part>The Re-Enlistment Blues</part>
</title>. Lyrics by Richard Meyers, original musical score, holograph, </ref>
</p>
</relatedmaterial>
</c>
</c>
<c altrender="/repositories/11/archival_objects/560483"
id="ref22"
level="subseries">
<did>
<unittitle>
<title localtype="simple" render="italic">
<part>Go to the Widow-Maker</part>
</title>
</unittitle>
</did>
<c altrender="/repositories/11/archival_objects/560484"
id="ref23"
level="file">
<did>
<unittitle>Chapters 1-4, 10, 15-17, typescript, 1st draft</unittitle>
<unitdatestructured altrender="ca. 1962" label="creation" unitdatetype="inclusive">
<datesingle standarddate="1962">ca. 1962</datesingle>
</unitdatestructured>
<container altrender="/repositories/11/top_containers/68889 /locations/9"
containerid="39002091431750"
id="aspace_ref23_c1"
label="Mixed Materials"
localtype="box">2</container>
<container id="aspace_ref23_c2" localtype="folder" parent="aspace_ref23_c1">19-25</container>
</did>
</c>
<c altrender="/repositories/11/archival_objects/560485"
id="ref24"
level="file">
<did>
<unittitle>Chapters 10-14, typescript, 2nd draft</unittitle>
<unitdatestructured altrender="ca. 1962" label="creation" unitdatetype="inclusive">
<datesingle standarddate="1962">ca. 1962</datesingle>
</unitdatestructured>
<container altrender="/repositories/11/top_containers/68889 /locations/9"
containerid="39002091431750"
id="aspace_ref24_c1"
label="Mixed Materials"
localtype="box">2</container>
<container id="aspace_ref24_c2" localtype="folder" parent="aspace_ref24_c1">26</container>
</did>
</c>
<c altrender="/repositories/11/archival_objects/560486"
id="ref25"
level="file">
<did>
<unittitle>Chapters 18-29, typescript, various drafts</unittitle>
<unitdate label="creation" unitdatetype="inclusive">n.d.</unitdate>
<container altrender="/repositories/11/top_containers/68890 /locations/9"
containerid="39002091431768"
id="aspace_ref25_c1"
label="Mixed Materials"
localtype="box">3</container>
<container id="aspace_ref25_c2" localtype="folder" parent="aspace_ref25_c1">27-38</container>
</did>
</c>
<c altrender="/repositories/11/archival_objects/560487"
id="ref26"
level="file">
<did>
<unittitle>Chapters 30-38, typescript, various drafts</unittitle>
<unitdate label="creation" unitdatetype="inclusive">n.d.</unitdate>
<container altrender="/repositories/11/top_containers/68891 /locations/9"
containerid="39002091431776"
id="aspace_ref26_c1"
label="Mixed Materials"
localtype="box">4</container>
<container id="aspace_ref26_c2" localtype="folder" parent="aspace_ref26_c1">39-47</container>
</did>
</c>
<c altrender="/repositories/11/archival_objects/560488"
id="ref27"
level="file">
<did>
<unittitle>Chapters 1-27, typescript, various drafts</unittitle>
<unitdate label="creation" unitdatetype="inclusive">n.d.</unitdate>
<container altrender="/repositories/11/top_containers/68892 /locations/9"
containerid="39002091431784"
id="aspace_ref27_c1"
label="Mixed Materials"
localtype="box">5</container>
<container id="aspace_ref27_c2" localtype="folder" parent="aspace_ref27_c1">48-53</container>
</did>
</c>
<c altrender="/repositories/11/archival_objects/560489"
id="ref28"
level="file">
<did>
<unittitle>Chapters 28-38, typescript, various drafts</unittitle>
<unitdate label="creation" unitdatetype="inclusive">n.d.</unitdate>
<container altrender="/repositories/11/top_containers/68893 /locations/9"
containerid="39002091431792"
id="aspace_ref28_c1"
label="Mixed Materials"
localtype="box">6</container>
<container id="aspace_ref28_c2" localtype="folder" parent="aspace_ref28_c1">54-55</container>
</did>
</c>
<c altrender="/repositories/11/archival_objects/560490"
id="ref29"
level="file">
<did>
<unittitle>Chapters 1-25, typescript, revised draft</unittitle>
<unitdatestructured altrender="1966" label="creation" unitdatetype="inclusive">
<datesingle standarddate="1966">1966</datesingle>
</unitdatestructured>
<container altrender="/repositories/11/top_containers/68894 /locations/9"
containerid="39002091431800"
id="aspace_ref29_c1"
label="Mixed Materials"
localtype="box">7</container>
<container id="aspace_ref29_c2" localtype="folder" parent="aspace_ref29_c1">56-67</container>
</did>
</c>
<c altrender="/repositories/11/archival_objects/560491"
id="ref30"
level="file">
<did>
<unittitle>Chapters 26-38, typescript, revised draft</unittitle>
<unitdatestructured altrender="1966" label="creation" unitdatetype="inclusive">
<datesingle standarddate="1966">1966</datesingle>
</unitdatestructured>
<container altrender="/repositories/11/top_containers/68895 /locations/9"
containerid="39002091431818"
id="aspace_ref30_c1"
label="Mixed Materials"
localtype="box">8</container>
<container id="aspace_ref30_c2" localtype="folder" parent="aspace_ref30_c1">68-72</container>
</did>
</c>
<c altrender="/repositories/11/archival_objects/560492"
id="ref31"
level="file">
<did>
<unittitle>Chapters 1-29, typescript, finished draft</unittitle>
<unitdate label="creation" unitdatetype="inclusive">n.d.</unitdate>
<container altrender="/repositories/11/top_containers/68896 /locations/9"
containerid="39002091431826"
id="aspace_ref31_c1"
label="Mixed Materials"
localtype="box">9</container>
<container id="aspace_ref31_c2" localtype="folder" parent="aspace_ref31_c1">73-78</container>
</did>
</c>
<c altrender="/repositories/11/archival_objects/560493"
id="ref32"
level="file">
<did>
<unittitle>Chapters 30-38, typescript, finished draft</unittitle>
<unitdate label="creation" unitdatetype="inclusive">n.d.</unitdate>
<container altrender="/repositories/11/top_containers/68897 /locations/9"
containerid="39002091431834"
id="aspace_ref32_c1"
label="Mixed Materials"
localtype="box">10</container>
<container id="aspace_ref32_c2" localtype="folder" parent="aspace_ref32_c1">79-80</container>
</did>
</c>
<c altrender="/repositories/11/archival_objects/560494"
id="ref33"
level="file">
<did>
<unittitle>Notes</unittitle>
<unitdate label="creation" unitdatetype="inclusive">n.d.</unitdate>
<container altrender="/repositories/11/top_containers/68898 /locations/9"
containerid="39002091431842"
id="aspace_ref33_c1"
label="Mixed Materials"
localtype="box">11</container>
<container id="aspace_ref33_c2" localtype="folder" parent="aspace_ref33_c1">81-85</container>
</did>
</c>
</c>
<c altrender="/repositories/11/archival_objects/560495"
id="ref34"
level="subseries">
<did>
<unittitle>
<title localtype="simple" render="italic">
<part>The Merry Month of May</part>
</title>
</unittitle>
</did>
<c altrender="/repositories/11/archival_objects/560496"
id="ref35"
level="file">
<did>
<unittitle>Chapters 1-conclusion, typescript</unittitle>
<unitdatestructured altrender="ca. 1971" label="creation" unitdatetype="inclusive">
<datesingle standarddate="1971">ca. 1971</datesingle>
</unitdatestructured>
<container altrender="/repositories/11/top_containers/68899 /locations/9"
containerid="39002091431859"
id="aspace_ref35_c1"
label="Mixed Materials"
localtype="box">12</container>
<container id="aspace_ref35_c2" localtype="folder" parent="aspace_ref35_c1">86-90</container>
</did>
</c>
</c>
<c altrender="/repositories/11/archival_objects/560497"
id="ref36"
level="subseries">
<did>
<unittitle>
<title localtype="simple" render="italic">
<part>The Pistol</part>
</title>
</unittitle>
</did>
<c altrender="/repositories/11/archival_objects/560498"
id="ref37"
level="file">
<did>
<unittitle>Chapters I-VI, typescript</unittitle>
<unitdatestructured altrender="1958" label="creation" unitdatetype="inclusive">
<datesingle standarddate="1958">1958</datesingle>
</unitdatestructured>
<container altrender="/repositories/11/top_containers/68900 /locations/9"
containerid="39002091431867"
id="aspace_ref37_c1"
label="Mixed Materials"
localtype="box">13</container>
<container id="aspace_ref37_c2" localtype="folder" parent="aspace_ref37_c1">91-102</container>
</did>
</c>
<c altrender="/repositories/11/archival_objects/560499"
id="ref38"
level="file">
<did>
<unittitle>Chapters VI-XI, typescript</unittitle>
<unitdatestructured altrender="1958" label="creation" unitdatetype="inclusive">
<datesingle standarddate="1958">1958</datesingle>
</unitdatestructured>
<container altrender="/repositories/11/top_containers/68900 /locations/9"
containerid="39002091431867"
id="aspace_ref38_c1"
label="Mixed Materials"
localtype="box">13</container>
<container id="aspace_ref38_c2" localtype="folder" parent="aspace_ref38_c1">103-09</container>
</did>
</c>
<c altrender="/repositories/11/archival_objects/560500"
id="ref39"
level="file">
<did>
<unittitle>Chapters I-II, typescript</unittitle>
<unitdate label="creation" unitdatetype="inclusive">n.d.</unitdate>
<container altrender="/repositories/11/top_containers/68900 /locations/9"
containerid="39002091431867"
id="aspace_ref39_c1"
label="Mixed Materials"
localtype="box">13</container>
<container id="aspace_ref39_c2" localtype="folder" parent="aspace_ref39_c1">110-19</container>
</did>
</c>
<c altrender="/repositories/11/archival_objects/560501"
id="ref40"
level="file">
<did>
<unittitle>Notes</unittitle>
<unitdatestructured altrender="1958" label="creation" unitdatetype="inclusive">
<datesingle standarddate="1958">1958</datesingle>
</unitdatestructured>
<container altrender="/repositories/11/top_containers/68900 /locations/9"
containerid="39002091431867"
id="aspace_ref40_c1"
label="Mixed Materials"
localtype="box">13</container>
<container id="aspace_ref40_c2" localtype="folder" parent="aspace_ref40_c1">120</container>
</did>
</c>
</c>
<c altrender="/repositories/11/archival_objects/560502"
id="ref41"
level="subseries">
<did>
<unittitle>
<title localtype="simple" render="italic">
<part>Some Came Running</part>
</title>
</unittitle>
</did>
<c altrender="/repositories/11/archival_objects/560503"
id="ref42"
level="file">
<did>
<unittitle>Chapters I-II, typescript, original</unittitle>
<unitdatestructured altrender="ca. 1957" label="creation" unitdatetype="inclusive">
<datesingle standarddate="1957">ca. 1957</datesingle>
</unitdatestructured>
<container altrender="/repositories/11/top_containers/68901 /locations/9"
containerid="39002091431875"
id="aspace_ref42_c1"
label="Mixed Materials"
localtype="box">14</container>
<container id="aspace_ref42_c2" localtype="folder" parent="aspace_ref42_c1">121-25</container>
</did>
</c>
<c altrender="/repositories/11/archival_objects/560504"
id="ref43"
level="file">
<did>
<unittitle>Chapters 1-29, typescript, original</unittitle>
<unitdatestructured altrender="1957" label="creation" unitdatetype="inclusive">
<datesingle standarddate="1957">1957</datesingle>