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@prefix cnt: <http://www.w3.org/2011/content#> .
@prefix dc: <http://purl.org/dc/elements/1.1/> .
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@prefix foaf: <http://xmlns.com/foaf/0.1/> .
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@prefix ore: <http://www.openarchives.org/ore/terms/> .
@prefix perm: <http://vocab.ox.ac.uk/perm#> .
@prefix sc: <http://www.shared-canvas.org/ns/> .
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exif:height 3863;
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dc:title "Feminine Dependence on Depiction of Poet on BNF f. fr. 22545 fol. 134 r.";
cnt:chars "<div><strong>For further depictions of feminine dependence in this manuscript, see:</strong><br/></div><div><br/></div><div>Poet and prince sleeping beside fountain</div><div>Poet and prince astride horse - <a href=\"http://gallica.bnf.fr/ark:/12148/btv1b60007997/f276.image\">MS F 22545 fol. 134 v.</a></div><div><br/></div><div><strong>For further depictions of feminine dependence in other manuscripts, see:</strong></div><div><br/></div><div><br/></div>" .
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dc:title "The Fountain on BNF f. fr. 9221 fol. 90 v.";
cnt:chars "<p>Here the fountain seems to be the location for a discourse between Poet and Prince: the two are clearly engaging with eachother in a way that reflects the metaliterary or metatextual thematic quality of this miniature<br/><br/>For other images of the fountain:<br/><br/>Literal and realistic fountain, with running water, perhaps symbolizing the waters of poetic creation. Poet and Prince are participating together.<br/>MS A - <a href=\"http://gallica.bnf.fr/ark:/12148/btv1b84490444/f347.image\">163r</a>, <br/><br/>Fountain as site for the mutual dream<br/>MS A - <br/><a href=\"http://gallica.bnf.fr/ark:/12148/btv1b84490444/f352.image\">165v</a> - The Prince enveloped in the Poet's coat<br/><a href=\"http://gallica.bnf.fr/ark:/12148/btv1b84490444/f359.image\">169r</a> - Here the Prince is in a more dominant position<br/><a href=\"http://gallica.bnf.fr/ark:/12148/btv1b84490444/f360.image\">169v</a> - \"Le confort de l'amant et de la dame\" <br/><a href=\"http://gallica.bnf.fr/ark:/12148/btv1b84490444/f367.image\">173r</a> - Poet and Prince on opposite sides of the fountain, just before capture<br/><br/><br/></p>" .
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cnt:chars """<p>This text does not include abbreviations or expansions, thus indicating an assumption that its readers would not be capable of incorporating expansion marks into their reading and understanding of the text (for a text with expansion marks, see <a href="http://gallica.bnf.fr/ark:/12148/btv1b6000795k/f1.image">MS E 9221</a>).
<br/></p>""" .
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cnt:chars """<div>
The miniature in this folio illustrates a specific moment within the story - the moment where a knight of the prince's court goes to the prince and requests that the prince return to the manor to eat.
<br/></div><div><br/></div><div><span> </span>But while we were entertaining ourselves<br/><span> </span>And debating the doings of love,<br/><span> </span>A knight appeared before us,<br/><span> </span>Who went down at once to his knees,<br/><span> </span>And said this to him quite directly:<br/><span> </span>“Sire, your meal is spoiled<br/><span> </span>Because you have been here<br/><span> </span>More than half a summer’s day.”<br/><span> </span>And so we rose from that spot<br/><span> </span>And went toward his manor,<br/><span> </span>Which is the most handsome, to tell the truth,<br/><span> </span>In France or the Empire.<br/><span> </span>But we didn’t go without his people,<br/><span> </span>For many a knight handsome and noble,<br/><span> </span>Attractive, good looking, nicely turned out,<br/><span> </span>And genteel attended him under a lime tree (l. 2745-2760).
</div><div><br/></div><div>The choice of this specific moment within the story is an interesting choice: this is not a meta-moment, or an instance where the text is discussing more complex themes. It is a small moment of concrete certainty, illustrating a plausible moment of reality. A meta-textual moment (also possible for illustration, as the text itself is included in this folio) would be the poet and prince's discussion of Venus. This is a moment more in line with the meta-themes of the poem, as opposed to the concrete moment of a knight's summons of his lord to dinner.</div><div><br/></div><div>The use of a specific moment vs. a meta-textual moment speaks to the intended audience in that a meta-textual moment calls on an understanding of the continuous themes throughout the text; an illustration of a concrete moment draws the reader into the story more effectively, requiring less continued cognizance of the story, and allowing for a more momentary relationship with it. This also hints at the possibility of silent vs. oral reading: a text with meta-illustrations could rely on a silent reader to be continuously engaged with the text, whereas an oral reading would necessarily rely on concrete moments to continuously engage the listener, and bring them back to the threads of the story.</div>""" .
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dc:title "The poet on BNF f. fr. 9221 fol. 90 v.";
cnt:chars "<p>Other images of the poet:<br/><br/>Poetic creation, interior spaces, and literality<br/>MS A – <a href=\"http://gallica.bnf.fr/ark:/12148/btv1b84490444/f332.image\">155v</a><br/>MS F -<br/><a href=\"http://gallica.bnf.fr/ark:/12148/btv1b60007997/f247.image\">120r </a>- Poet asleep<br/><br/>Dream states and Morpheus<br/>MS A – <a href=\"http://gallica.bnf.fr/ark:/12148/btv1b84490444/f337.image\">158r</a>, <a href=\"http://gallica.bnf.fr/ark:/12148/btv1b84490444/f338.image\">158v</a><br/>MS F - <br/><a href=\"http://gallica.bnf.fr/ark:/12148/btv1b60007997/f252.image\">122v</a> - the \"messagiere\" appearing very much like Morpheus<br/><a href=\"http://gallica.bnf.fr/ark:/12148/btv1b60007997/f253.image\">123r</a> - Morpheus appearing in bedchamber of sleeping lord/prince (crown)<br/></p>" .
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dc:title "Abbreviations and Expansions on BNF f. fr. 9221 fol. 90 v.";
cnt:chars "<p>This word shows the use of signs to represent letters that are taken out of the word to conserve space. It takes a more educated readerships to digest these nuances in their written form than it would take when the reader expanded the words in an oral recitation. <br/></p>" .
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dc:title "New Annotation on BNF f. fr. 22545 fol. 134 r.";
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cnt:chars "<p>The figurative thematic of this miniature suggests a more educated and/or scholarly readership. The image depicts the symbolic environment of poetic creation wherein the poet and the prince collaborate within the creative space of the poem, denoted by the fountain.<br/><br/>The image proposes a certain metaliterature that would appeal to an erudite audience. <br/></p>" .
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dc:title "Poet's Hand on BNF f. fr. 22545 fol. 134 r.";
cnt:chars "<span about=\"urn:uuid:00df2c75-f732-48e9-9155-85d65911eeba\" class=\"atb-editor-textannotation\" property=\"http://www.w3.org/ns/oa#exact\">The poet's hand</span> is here seen grasping the prince's arm in a possessive, dependent, and almost feminine manner.<br/><div><br/></div><div>For depictions of feminine dependency, see:</div>" .
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dc:title "Patronage on BNF f. fr. 9221 fol. 90 v.";
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dc:title "Presentation of the text New Annotation on BNF f. fr. 22545 fol. 134 r.";
cnt:chars "<p>In this miniature we see the poet presenting the text to his patron, the prince. In other images we see the poet in a position of power but here he prostrates himself before the prince with the gift of his own manuscript in hand.<br/><br/><br/></p>" .
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dc:title "Audience Inclusion in Illustration on Readership on BNF f. fr. 22545 fol. 134 r.";
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<span about="urn:uuid:aeb6c159-aceb-46fb-b738-e7d3b1f2e6eb" class="atb-editor-textannotation" property="http://www.w3.org/ns/oa#exact">The inclusion of a knight</span> in the miniature is a moment where the text speaks directly to its intended audience. As a representative of the noble class, the knight's inclusion in the miniature is an attempt to draw the reader into the text, indicating a kind of participation on the part of the reader in the events of the story. This is perhaps why the artist chose this specific moment of the story to illustrate, as opposed to other, more visually-appealing specific moments; to include a member of the intended audience within the story creates the illusion of reality, thereby allowing for a greater engagement on the part of the reader.<br/></div>""" .
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dc:title "Depiction of Poet and Prince on BNF f. fr. 22545 fol. 134 r.";
cnt:chars """<div>The relationship between poet and prince in this manuscript is one of simultaneous equality and subtle subservience on the part of the poet. While the poet and prince are shown in an intimate relationship (see <span about="urn:uuid:a1b3c3b4-e1b7-404b-8d5f-938f9c592c4f" class="atb-editor-textannotation" property="http://www.w3.org/ns/oa#exact">the poet's hand</span> grasping the prince's arm in a possessive, dependent, almost feminine manner), thus indicating a high degree of equality, that equality is subtly problematized. The poet is standing behind the prince, not next to him, is grasping his arm, and is clearly dressed in a clerk's clothing, as opposed to the clothing of a nobleman
(for greater equality in dress, see <span about="urn:uuid:d82c20ee-fe8b-4f9b-bb0e-8aa46bee235e" class="atb-editor-textannotation" property="http://www.w3.org/ns/oa#exact">MS E 9221 fol. 90 v.</span>, <a href="http://gallica.bnf.fr/ark:/12148/btv1b60007997/f273.image">MS F 22545 fol. 133 r.</a>).<br/></div><div><br/></div><div><b>For further representations of problematized equality between poet and prince in this manuscript, see:</b></div><div><br/></div><div>Poet and prince standing beside fountain - <a href="http://gallica.bnf.fr/ark:/12148/btv1b60007997/f260.image">MS F 22545 fol. 126 v.</a><br/></div><div>Poet and prince standing beside fountain, seated beside fountain - <a href="http://gallica.bnf.fr/ark:/12148/btv1b60007997/f261.image">MS F 22545 fol. 127 r. (2)</a></div><div>Poet and prince with the complaint - <a href="http://gallica.bnf.fr/ark:/12148/btv1b60007997/f263.image">MS F 22545 fol. 128 r.</a></div><div>Prince asleep in poet's arms beside fountain - <a href="http://gallica.bnf.fr/ark:/12148/btv1b60007997/f264.image">MS F 22545 fol. 128 v.</a></div><div>Poet and prince standing beside fountain - <a href="http://gallica.bnf.fr/ark:/12148/btv1b60007997/f273.image">MS F 22545 fol. 133 r.</a></div><div>Poet and prince astride horse - <a href="http://gallica.bnf.fr/ark:/12148/btv1b60007997/f276.image">MS F 22545 fol. 134 v.</a></div><div><br/></div><div><b>For representations of equality (or problematized equality) between poet and prince in other manuscripts, see:</b></div><div><br/></div><div>Poet and prince standing beside fountain - <a href="http://gallica.bnf.fr/ark:/12148/btv1b6000795k/f196.image">MS E 9221 fol. 86 v.</a></div><div>Poet and prince lying beside fountain - <a href="http://gallica.bnf.fr/ark:/12148/btv1b6000795k/f201.image">MS E 9221 fol. 89 r.</a></div><div>Poet and prince seated beside fountain - <a href="http://gallica.bnf.fr/ark:/12148/btv1b6000795k/f204.image">MS E 9221 fol. 90 v.</a></div><div>Poet in study, prince in the margins - <a href="http://gallica.bnf.fr/ark:/12148/btv1b84490444/f332.image">MS A 1584 fol. 155 v.</a></div><div>Poet and prince in conversation - <a href="http://gallica.bnf.fr/ark:/12148/btv1b84490444/f344.image">MS A 1584 fol. 161 v.</a></div><div>Poet and prince beside fountain - <a href="http://gallica.bnf.fr/ark:/12148/btv1b84490444/f347.image">MS A 1584 fol. 163 r.</a></div><div>Poet and prince in conversation - <a href="http://gallica.bnf.fr/ark:/12148/btv1b84490444/f350.image">MS A 1584 fol. 164 v.</a></div><div>Poet and prince sleeping beside fountain - <a href="http://gallica.bnf.fr/ark:/12148/btv1b84490444/f352.image">MS A 1584 fol. 165 v.</a><br/></div><div>Poet and prince sleeping beside fountain (converse of fol. 165 v., above) - <a href="http://gallica.bnf.fr/ark:/12148/btv1b84490444/f359.image">MS A 1584 fol. 169 r.</a></div>""" .
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dc:title "Readership on BNF f. fr. 22545 fol. 134 r.";
cnt:chars "<p>Assumptions can be made as to the intended audience of this manuscript, based on examination of this folio. Three elements indicate the text was for a noble, non-scholarly audience:</p><ul><li><span about=\"urn:uuid:5a4a1f9e-abc4-4a17-8ed7-e37f3b62ba88\" class=\"atb-editor-textannotation\" property=\"http://www.w3.org/ns/oa#exact\">Abbreviations and Expansions</span></li><li><span about=\"urn:uuid:e73e6d93-5d50-4bdc-93fc-df0514e2b48a\" class=\"atb-editor-textannotation\" property=\"http://www.w3.org/ns/oa#exact\">Specific Moment of Illustration</span></li><li><span about=\"urn:uuid:24a62336-380c-4268-a3b9-4ebb121f8751\" class=\"atb-editor-textannotation\" property=\"http://www.w3.org/ns/oa#exact\">Audience Inclusion in Illustration</span></li></ul>" .
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